Black-Listed Magazine

as the sharks of forever swim through my cigarette smoke by Rob Plath

near the end of it all
we drove far to an aquarium
like staring at seals & penguins
might heal us somehow

we both were smoking
on the long car ride
& patsy cline came on the radio:

"two cigarettes in an ashtray
my love and i in a small cafe
then a stranger came along
& everything went wrong
now there's three cigarettes
in the ashtray..."

after singing those stinging lines
i looked over at her face
& i saw her straining to contain
the guilt

i remember we spent most
of our time at the antarctica exhibit
watching those awkward
flightless birds waddling
over plastic molded ice
behind glass & she commenting
on how sad they looked
diving into the water

& then later we gazed
at large sharks dangerously gliding
through the floor-to-ceiling tank
& she took a picture of me
in front of it which looked like
a shark was sneaking up behind
my back

the drive home was silent
she pretended to sleep it seemed
& later on when we got back
to that little apartment
we fought once again

she didn't confess about the affair
but it was under there

the argument like another jagged piece
of ice sticking out of the water
while beneath loomed the enormous
crushing truth

a week later after 4 years
we were finished
the upcoming marriage stubbed out

"i watched her take him from me
& his love is no longer my own
now they are gone, & i sit alone
& watch one cigarette burn away..."

& now i smoke alone & the sharks circle me
& even though i tell them there's no blood left
only goddamn ashes
they continue their revolutions

night is a coal by David Mclean

night is a coal that is not burning,
like anxiety somewhere else
editing letters, awaiting miracles
or death;

night is a coal between our ribs
where hearts used to be,
when it was people we were,
mostly;

night is a coal still, is not burning
like a frog learning to fly,
or a memory cold as heaven's grate
inside me, a coal not burning yet

because the tender devils do not come
to tend fires in me, not since years stopped
beating, night is a coal that left me, like time,
not even a memory, where nothing burns

inside any “me,” any brutal body:
this one is so full of gruesome fluids
that it puts out fires quite easily -
a body isn't very arid territory

DEGREES by Joseph Hargraves

"A poem requires metrical form
for permanence," she said.

I said that in most current usage
the simile, end-rhyme and metrically exact verse,
were hackneyed, if not archaic.

She harrumphed,
"you will be laughed out of academia."

I told her I had ditched academics
when I dropped out of high school;
then quoted Henry Miller:
"everything taught is a lie."

She started loudly,
"you'd better be careful
not to make the mistake
self-educated writers make,
with their eccentric
literary theories.
Even the neo-formalists aren't formal enough,
they don't know an anapest from Budapest."

She was annoying me
and knew it, so continued,
"you need to go back to school
and get a Master's
or you will never be taken seriously
no matter how good your poems are.
Why do you think I got mine?
Besides, I can teach."

I smiled. She went on,
"and poetry must never be used
to attack people-
that's hatefulness, not art."

Her poems were never
as lively as her tirades-
now I knew why.

Mono by Mike Meraz

Mono was a drug dealer. I used to buy heroin for my girlfriend from him back in the late 90's. I used to call him "the good-hearted drug dealer" because every time I visited him he would ask me to stay, have some lunch, watch TV, or what not. he was lonely. he was divorced. after years of heartache I think he resigned himself to living on that boat, with his dope and his money. once in a while I would see a girl there, never liked her, or trusted her, she seemed to be using him. she was a heroin addict too.

after a few years passed, me and my girlfriend broke up and one day I got a call, "Mono's dead" she told me. "what?" I asked. "Mono's dead" she said. she told me the cops picked him up and put him away. due to his extreme addiction and dependency on heroin the time in jail was too hard. he could not handle the withdrawals. his heart stopped beating and that was it. I pictured him there in that jail cell, probably scared to death like a caught animal, completely lost in life and probably within himself. those last moments must have been dreadful.

I always had hope for Mono. thought he would finally get out of it, get cleaned up. he talked about it continually as most drug addicts do. those glimpses of humanity that he showed towards me still stay with me to this day. the offering of lunch. the "Mike, feel free to stop by anytime just to talk." those simple things that came from this hardened criminal. it was odd. like seeing light shine out of a man hole. it is funny that I still think about him to this day. there is no truth at the end of this story. no light at the end of the tunnel. just a picture of a man.

Mono, I remember you.

Goodbye by Ivan Brkaric

Sadly, she waves from the shore
as the ferry leaves.

He told her he would stay
if she only asked him to.

But she hid behind a smile,
an awkward hug
and with a single tear,
nothing was said.

hungover by Paul Harrison

in a lunch bar
flicking through the glossy mags
and eating chicken soup
i thought about how inane
and meaningless life had become
or at least
how most of everything conspired
to make it seem that way
another dress, another party
another baby, another break up
another diet, another rehab stint
and then remembered
another car bomb in baghdad
where life is cheap and meaningful
all at once
hundreds dead, hundreds more
shredded like kebab meat
and how magazines like these
or lives like mine
suddenly become
reprehensible
almost meaningless
sweating out the piss
eyes too dry to cry

I AM GIVEN THE GAME BALL I AM THE STAR OF THE HORROR HIT AND by Osama Ghoul

I am content to know
that I live like any true human would live.

Food with fangs at the bend of this bullshit and dust and
dust drops off the planet once again.
Any true human would live content to know
that I am happily dusted.

And I saw your being taken away, like any true human
with fangs and food, and the planets drop off
a petrol bomb.

If I don't have pills, I feel like I have nothing.
Sometimes, I wish I were an apple.

I Just Let Him by xTx

I got choked by a 66 year old man named Dave.

Afterwards, he offered me his knees.

I declined.

Too intimate, I thought.

Heartache at the Baroque Corral by Paul Hellweg

I went to a poetry reading
at Beyond Baroque,
and it was
babe paradise,
I mean,
goddamn,
I never saw
such
a gathering
of
intelligent
creative
talented
beautiful
women,
and to think,
male poets
are often thought
to
be
gay ...

fuck that.

in the hallway after taking a piss by Justin Hyde

three large portraits
hang on the wall
like sentinels.

they're my age
slightly
older

all three
in crisp
police uniforms:

dump trucks
for jaws

mirthless
pale blue
eyes.

they'd
gut me
like a deer
if they knew
what i was
up to.

get your
tight little but
back in here,
gloria calls
from the bedroom.

yes mam,
i say
& salute
& apologize
for what i'm
about to do
to their mother
for the
third time
tonight.

Former English Lit Teacher Now A Talking Bartender by Doug Draime

Byron, Keats and
Shelly were the
only ones
he thought worth
mentioning,
in the general scheme
of things,
the world being what
it was:
a pragmatic place
but not without a little
romance,
or the need for it.
And those
romantics were
trailblazers,
innovators,
the revolutionaries
of their times.
What can you say about the ones today,
he wanted to know.
Faggy college boys, or ugly misfits
drinking themselves
to death.
Byron looked like Elvis,
for Christ sake, he had charisma,
they all three did.
It was exciting to be in their
presence.
They were all cocksmen, lady
killers, society’s dissidents. The boys parents warned
their daughters about in the 1800’s.
They were dangerous
Where’s the charisma, the excitement, where is
the danger
with the modern bunch,
he wanted to know,
as he sat another bottle of beer in front of me.
I had to just smile and shrug, feeling a little uncomfortable
and wishing
I’d not mentioned
I wrote poems.

boobie-trapped by Steve Calamars

boobie-trapped

he pistol-whipped
and dick-slapped
his way to freedom

she tried to
counter with
cock-blocks and
body shots

she even resorted
to head-games and
mouthing-off

like brain-wash
and deep-throat

but nothing
proved successful

he still managed
to liberate himself

finding safety with
a redbone with
plenty of junk in
her trunk

who nursed him
back to health with
cream-pies and
pink tacos—

DIRECT DEBIT by Ford Dagenham

sleeping on my sofa this afternoon
is a girl
who used to sleep in my bed.

she’s unburdened herself
talking about
her new man.

none of it was good news

and now
she naps.

soon she will drive away
to her real life
and I will become
lonely and afraid.

I will question
Joel on the telephone
about a tri-monthly
£7.79 direct debit
I cannot place.

and later when the news headlines
start to roll
I will feel
a horrible reassurance.

Last Days of the Cross by Joseph Ridgwell

(excerpt from his novel available at Grievous Jones Press)

I walked along Roslyn Street and up into the main drag. There were two supermarkets nearby, Riteway and Coles. Coles was the larger food emporium but its prices were notably higher than Riteway.

As I stood on the corner of Roslyn and Darlinghurst trying to make up my mind which one to go to, impatient shoppers barged past, forcing me out of the way. And then I saw her. I saw her for the very first time. Rosie. Although back then, I didn’t know her name. She was a face in the crowd but not just any face. No, she stood out like a shimmering vision and everyone and everything became part of a blurred, grainy backdrop as soon as she hove into view.

She was a young Aboriginal girl with long legs and mad hair, dressed like a hooker - tight mini-skirt, torn fishnet stockings and a low cut tee-shirt. She was walking fast, pushing people out of the way, like she was on a mission. I decided to follow her. I don’t know why - it was just an impulse - an overwhelming urge. I crossed to the other side of the road and ran along the main drag. I wanted to see her face again, just to check I wasn’t imagining things.

Soon I was well ahead. I stopped outside a strip-club and struck a casual pose. Within seconds the strange girl was in sight and no, I hadn’t been imagining things. She was the most stunning girl I’d ever seen; not classically beautiful but oddly beautiful, quirky. She had blonde highlights in her crazy hair and was sporting an over-sized plastic necklace around her scrawny but elegant neck. Her skin was honey coloured and her eyes were blue. It was the eyes that did it. They were so brightly blue. Almost unnatural. I took a deep breath. Within seconds she had swept past me but I kept an eye on her until she disappeared out of sight. Then I pulled a notepad from my shirt pocket and wrote down a quick description.

Another subject for my poetry, I ruminated, another muse - the teenage aboriginal smack head with the blue eyes. I could easily write a thousand poems about that one girl. Fifty on the eyes, alone!

Mixed Couple on the Morning Train by Donal Mahoney

Chicago, 2009

Because he works in an office and is white
and because she who tans anyway has just
returned from a week at the Beach,
the commuters are certain she’s not black
yet they rustle in their seats.

They want to see her hands flick.
They want to see if rivers run dark
through ivory palms.

Martin may be dead
and Obama may have won
but in Chicago this morning at dawn
a rainbow of people
still rustle in their seats.

smuggling sweat socks by Karl Koweski

I was eleven years old
first time I decided
I might be a little
too short in the pants
to interest the ladies

I remember looking down
the front of my
stone-washed jeans
and thinking
there needs to be
a much bigger bulge
happening there

with my mother
shouting at me to quit
posing in the mirror
and get ready to go
I grabbed some
balled up sweat socks
and shoved them
down my pants

I entered that goddamn mall
like the patron saint of porn stars
never has an eleven year-old
swaggered
the way I swaggered that day

I didn’t have
a cent in my pocket
but I had
an oddly spherical
bulge in my pants

I almost managed
to curve my spine
in on itself
in order for my groin
to arrive at Kaybee Toys
three seconds
before the rest of me

I tipped a wink
and snap/pointed
at the counter girl
who regarded me
with befuddlement
tinged with
what I could only hope to be
sexual curiosity

surveying the action figures
I readjusted the bulge
every three seconds
perhaps the fortieth time
I handled my junk
I shifted the bulge
too far to the left
and the sweatsocks
began the slow descent
down my pant leg

“can I help you?”
the clerk asked
more suspicious than
sexually curious
as though she
intuitively grasped
that not only was
I a penile fraud
but a lowly
sneak thief as well

“model cars,” I mumbled
“where are they?”

“next aisle over”

she stood there
waiting for me
to make my move,
her eyes flickering
to the impressive bulge
at my thigh

I knew taking a step
would only increase
the socks’ rate of descent
but I saw no other
alternative

by the time
I stepped around the clerk
my knee was twice
its normal size

something about my
sweaty, furtive demeanor
prompted the clerk
to follow me to
the rack of Testor paint
at which point
my knee was fine and
my ankle had swollen

she couldn’t take her eyes
off me and I couldn’t
take my eyes off the models
as the balled up socks
popped out of my pant leg

perhaps she didn’t notice

as subtly as possible
I kicked the
incriminating evidence
away from me

the socks rolled,
stopping at the clerk’s feet

“excuse me” she said
“you dropped your socks”

“those ain’t my socks
I’m wearing mine”

I lifted up a pant leg
to show her socks
nearly identical except
for the colored stripes

“those socks were there
when I came down the aisle”
I added as I ducked
passed her and streaked
out the store into the mall
to find my mother

swagger gone forever,
convinced the clerk
was even now
conspiring to tell
my mother everything

Addition by Colin Dardis

I am doomed:
I fear I shall never collect
my bouquet of flowers from the printers;
will take two thousand milligrams of ibuprofen,
aspirin, co-codamol,
paracetamol, whatever,
for the rest of my life
measured against
a few select units of
whiskey, wine and water;
add to this the ever-upward spiral
of fun-time prescriptions
to stave off the depression.

And what can I do?
Spike my hair
and get creative with my facial fur;
drink one litre of milk a day
and fret over kidney stones;
eat the wrong foods
and lament my navel;
remember that there is
some good in the world
and that one should strive
to add to this.

Death remains
rattling in His cell
for another day, at least.

Igor flagged me by Anna Donovan

Igor flagged me
on the corner of Kelly
and Timberglen,
said something
about the creature
or was it a church?
or the creature
and a church?

I wondered
if the creature
had converted,
if the church
down the street
had high level meetings
to confirm him
in possession of a soul.

The creature
would be a money maker
in any denomination,
an occasion
for the faithful
to leave behind their
torches and pitchforks
and bring hefty donations.

Maybe the creature
is their God sent
miracle,
or maybe Igor
knows something
I don't,
maybe they keep
the creature
in chains
and only air him out
on weekends
in his Sunday best.

It is a big church,
room enough
for many dungeons
in there,
and the women do
have a hungry
look about them.

A Nice Way To Spend A Saturday Night by Mike Meraz

A girl calls me up, who I met last weekend, telling me she is at a payphone on the corner
of Atlantic and Washington. She says, "you said to call you this weekend." I think to
myself, "what did I do?" Trying to be sensitive, I ask her, "can you call me later? I’m
doing something right now." She says, "I'll call you when I get to my sisters house."

It was a lonely Saturday night. I was at a 7-Eleven buying beer and a hot dog when I
noticed a girl staring at me. She was kinda cute. Latin. Big breasts. You know. I smiled.
She smiled back. It was all harmless. On our way out we crossed paths and I motioned
her over. She said she just got back from a friends house and that she was so depressed
she wanted to buy some cookie dough. I said, "what's the problem?" She said, "oh
nothing." I asked her if she wanted to go somewhere and talk about it and have coffee.
She said, "it's too late for coffee." I said, "how about some milk?" She laughed and said,
"okay." We drove over to the donut shop across the street and had some milk. We sat for
hours. Talked about our families, what kind of music we liked, etc. We actually held
hands at one point. It was nice. But I think I made a mistake. She is not as shallow as I
am. To her holding hands and talking intimately means the start of something special. To
me it means holding hands, the softness of skin, a nice way to spend a Saturday night.

Blue by Joseph Hargraves

Caroline,
her lover Kathy
and I are excited:
the heroin
we just bought
is rumored
to be excellent.
Kathy sits on the floor
snorting hers,
I inject Caroline
with the stuff.
Pulling a belt tight
around my arm,
I notice
Caroline's head
hanging.
"She's turning blue,
we'd better call an ambulance,"
Kathy says.
I look:
I've never seen
lips that color.
I think:
"Thank God the dope's good,"
stick the needle's point
into my vein,
feel the warmth
of the drug,
drop
the syringe.
Caroline falls off the chair.
"Give her mouth to mouth,"
I say.
"I don't know how,"
Kathy answers,
snorts another line.
Thinking
I'm lucky
to be so high,
I try to remember
C.P.R. films,
place my lips
over Caroline's,
breathe into her.
It isn't working.
I pick her up,
tell Kathy
I need help.
She says,
"You're blowing my high."
I fall against
the kitchen table
knocking it over.
The body hits the floor,
I jump on the body,
pound its chest
to start the heart.
"I'm going to use
the guy-next-door's phone
to call the ambulance-
"Give her mouth to mouth,"
I holler
running out of my apartment.
I dial for help,
give the address;
walk back
across the hallway
with relief.
My apartment door
is closed.
I think
"Face it,
she's dead;"
open the door-
see Kathy sucking
Caroline's left nipple,
fingering her vagina.
The right nipple
is the bluest nipple
I've ever seen.
Stunned
I think:
"This must be hell."
I back out of the room,
close the door quietly,
knock,
and open it.
Kathy looks up smiling,
"Relax honey,
she's gone."
"Fuck you,"
I shout;
opening the window
to let cold air in.
I kneel
beside Caroline, thinking,
"My best friend's dead."
I whisper in her ear,
"The police are coming,
you'd better hope you die.
They'll call your parents,
who'll be pleased to hear
their dyke daughter OD'ed
on heroin.
Caroline,
your parents are here,
WAKE UP."
She springs
from the floor,
tries to run through
the kitchen wall,
falls down whimpering.
"You stupid bitch,"
I scream,
"Kathy, get her out of here!"
They leave.
I cry,
run to the street,
wait.
The police
arrive before the ambulance.
I explain:
"It's okay,
she came to
and left."
The cop shakes his head,
drives off.
Knowing
Caroline has more
heroin in her pocket,
I run through
the Lower East Side
to her apartment
dodging Puerto-Rican kids
in Halloween costumes.
I hear one
in a clown suit say:
"Did you see that white girl?
She's what I call stoned."
His friend,
a witch,
laughs-
"They're all fucking crazy."

Why Wouldn’t You Pretend Fuck Me In Starbucks? by xTx

I’d given you the opening:
leaned back, spread my legs…
I mean, I was only asking for
a few half-hearted thrusts like
3 at most

You were all,
“The guy’s right there…” and
“…they probably have video cameras…”
(you motioned to the invisible corners of the store)

I was like,
“It would’ve only taken 3 seconds and
we could’ve forever said,
‘that was the Starbucks we pretend fucked in’
whenever we passed it, but
it’s too late now…”


You said it would’ve ended up on
YouTube or something.

You said they would’ve recognized
your bat tattoo.

“Whatever,” I said. “You used to be fun…”

Then I went outside and poured hot coffee all over my wrist so I could feel something.

Two Poems by Si Philbrook‏

nearly a love song

i woke
to "Born Slippy"
thumping up
from downstairs,
cheap Gite
in St. Malo,

couldn’t think
where she was
tossed blankets lay around
then the sound
of bacon frying,

love
is a pile of shit
but
i’ll stay with someone forever
who makes me bacon butties
the morning after.



Georgia Moon at Midnight

i am unslept
through this dusky-warm night

like blues and whisky
i hear the breath of new orleans

like softness, i ache for you,
quietly,

an un-made bed,
a smile, a touch,

these are what i miss
this georgia night.

Life Is So Unfair by Maria Gornell

Between rasping breaths, she tells me life is so unfair
an oxygen tank beside her, an empty ashtray
Pills, inhalers, empty chairs.

Her frame bloated with steroids face contorted in
arthritic pain; bruised body from insulin syringes,
bluesy grey eyes lost sparkle.

She tells me life is so unfair I can only nod in
agreement; no I told you so’s adding insults to
injury that would be unfair.

She is sixty nine years watching fitter elders
climb mountains cruise around the world
while she sits and sits waiting for grim reaper
to appear.

Born in workhouse labelled bastard at birth
Catholicism forced down throat called mummy
aunt - lived between 2 homes, one poverty
stricken porn brokers delight other middle class
respectability – farce.

In evening red lights switched to service
rat a tat tat on door; the rest I’m unaware.

She mistook love for a back alley thrust
blood on his vest he whispered
‘You’ll have to marry me now’

No child of mine
labelled bastard she swore.

The beatings became worth a pay packet on Fridays
food in cupboards - worse the loneliness
she feared, the father she never knew.

Life begins at 50 she sang ‘simply the best down
a Welsh bachelors ear who showed her Sorrento
pinned flowers in her hair.

He never bought a ring when sickness/commitment
came mummy's boy ran for hills. Bitterness sets in.

She tells me life is so unfair foolishly we imagine it
will never happen to us; I sit rattled with fear losing
her feels so near yet I’m powerless to console her.

I ring my brother he’s off to watch the Derby
I tell him the news, he say’s
I hate fuckin winter.

lunch and fishnets by Puma Perl

we always take the window seat in Odessa’s
crusty kids panhandle on Avenue A, receiving
change only from those born poor, and able
to recall aging runaway children, arthritic
from frozen nights and broken bones unset,
brains addled by cheap wine and bad drugs,

his camera hangs from his neck and he eats
cold borscht, Gus the waiter screws up again
and my food comes later (don’t worry, he said,
i’ve got this – as if i were concerned), the sun
plays with old leather, and i remember why
i left, though not why i began, as we look
at photographs of bikes and tattoos, plan
another road trip, both dreaming of escape
although not with one another, it’ll be better,
he says, i’ll let you drive this time…

we walk down Clinton, i buy fishnet stockings,
he knows they’re not for him, we drop hints
of discontent with partners and liaisons,
we have taken ourselves where we go,
i still never care much and he still obsesses
about mind control and harleys, he hugs
me good-bye with one arm, the other clutches
his camera, i wander home thinking about
my new fishnet stockings, and whether
i’ll be able to get the seams perfectly straight..

On Viewing A Painting By Jackson Pollock by Mike Meraz

one of my friends
said,

"what's
the big deal,
I could do that."

it was one of the few times
I wanted to hit
someone.

the genius of art
is the ability to make something
entirely complicated
look effortless
and natural.

Jackson,
you did
it.

Last Meal by Wayne Scheer

She's going to break up with me tonight, I can feel it. That's why she wants to meet here at Linda's Cantina where we had our first date. We haven't gone back since I discovered she doesn't like Mexican food. At least I'll have a good meal when she tells me it's over. Kind of like feeding a condemned man his favorite food before frying him.

In her own way, Katie is being considerate. She knows how much I've missed the tilapia tacos they serve here. And we'll both be able to drive away in our own vehicle. A clean break. As if a break-up is ever clean.

I've been through this before. I always end up acting cold and distant, saying little more than, "If that's what you want, fine by me." I hate the way I feel inside when that happens, but what else can I do? Beg her to stay? Tell her I love her? That won't help me or her. Should I say something like, "At least we had six good months. I'm a better man for that." I probably couldn't get words like that out without rolling my eyes. I could try something macho, like "It was good while it lasted, baby." Or I could go for debonair. Kiss her hand and whisper, "Au revoir."

Yeah, right. I'd follow that by tripping over my two left feet.

The problem is I don't want to lose Katie. She's smart, funny and way more than I could hope for. When you look up the word dweeb in the dictionary you find a picture of me, but for half a year, she's seemed not to mind that I can't dance and find Will Ferrell funny.

I don't mind sitting in my office all day crunching numbers, if I know I'm meeting her for drinks and dinner afterwards, followed by a quiet night of TV and lovemaking.

A month ago, I suggested she move in with me when the lease was up at her place. Instead, she renewed it for another year. So I've been prepared for this.

Our differences became obvious when she dragged me to a Yo Yo Ma concert and I fell asleep. I tried staying awake, but cello music doesn't exactly get my toes a' tapping. I assured her I wasn't asleep, just closing my eyes to appreciate the music. Man, did she ever give me a poke when I started snoring.

There she is, looking as wonderful as ever, with her dark hair and long legs. I walk towards her. She takes my hands and pecks me on the cheek. As soon as we're shown to a table, even before the waiter takes our drinks order, she says, "Ron, we have to talk."

Instead of the beer that goes so well with the tacos, I order scotch. A double. Neat.

Texas Tornado by Barry Basden

You know, the kind of gal walks into the Dew Drop about 3 in the
afternoon, slides up to the bar in her tight jeans and peasant
blouse, orders up an icy long-neck Shiner or maybe a Corona with a
slice just to be ornery.

She tilts it back and conversation stops while the ol' boys propping
up the bar watch her swallow a goodly part of it down. Oh, the lovely
muscles of her lovely neck bouncing that cute little teething ring
necklace just above those mesmerizing breasts.

Then she sashays past the empty pool table to the jukebox in the
corner, leans over it in those jeans, studies awhile, and finally
punches up K-13, Robert Earl Keen's "High Plains Jamboree" and by the
time its sad and lonesome two-step first verse ends, she's seated in
a straight back chair at an empty table.

"Howdy, boys," she says with a smile that could melt January sleet in
Amarillo.

And the slightly untidy bartender in her cutoff Levi's and her pale
yellow halter top with no cleavage stares hard at her. She knows
someone from a whole other league has just ruined her day.

Two Poems by xTx

Boot Camp

The girl got in
with her summer blonde hair and huge rack.
She got in.
I know that shit will be raped.
Maybe not in the hairy hands on wrists/dick tearing vaginal walls sense, but most definitely
when night comes
and they are weary of using the longest fingernail to pick the cardboard boogers from the dust lined walls of their nasal cavities and
the regimented regimenting and
all they have to look forward to are
thoughts of their face in her
summer hair
and how she must taste
down there
The raping begins
fists flying
while she sleeps
sweet
dreams of home
soothing her uniformed
skin



Stupid Girl Shit

You are flowers in my mouth.
You are the smell of perfume on my undershirt,
crumpled soft in my hands.
I bury my face.
Every picture, I know, is everything to do with her and
it hurts
I can’t lie
Love is a stomach ache…a burned down house
where I live.
No comfortable spot on the couch.
You live in a raging forest
free
I watch you through a window,
cracked,
crying

Good Morning Self by H.R. McGonigal

Good morning Self, open mouth self; out come the molecules of morning, round, voluptuous. Out come the sounds of a new tongue, lips teeth tonsil parade vowel verb rainbow noun. Dove wing beats like horse hoof, a gentle canter. Blue jays screech, cackle and laugh at each other in rapid fire greetings. We all unfold aurally together. I unwrap my natural heart beat discovered and the doves coo-flutter like thin, thread pulse, something warm you might find in the forest and press against; a tree, a wrist. Tiny assorted birds wake with the dawn and their sound is like Christmas bells, their sound makes the smell of tea. They percolate. The volcano mouth of morning erupts continuously now as a gigantic plane flies invisibly above, loud, like tectonics, shifting layers of sky planet, evolution in motion. And the dainty hummingbird concurs, fluttering. The yellow brick road; teeth stained by coffee and cigarettes, leads to the wizard who lives inside.

Closing Time by Lester Allen

I can still make out the tune
of Pat Boone on the radio
doing Metallica, with a glass of JB
the nearest exit incase things got too wild.
she was a lawyer there on her balcony
and other places too, I’d imagine
and my friend had his tongue in her mouth
just moments before,
he’d say later that she was a terrible kisser
and that moments after their twining of tongues
and hours before he told me about it
he filtered his vomit through the
ivy that clung to the balustrade
of her balcony
and I went inside,
Jim and I being already quite good friends
and I feeling pretty good of things
(he always encouraged me to be at my best)
decided that, in addition to taking a piss in this strange
lawyer’s bathroom
that what I really wanted to do was to take
a nice hot bath.
so I drew the water, got
undressed and slipped in
finished the Beam
while I thumbed some pages of Heller’s
Closing Time
and thinking about the girl that I’d just met
a few hours ago
in the bar downstairs
while the bartender played backgammon
with one of the patrons and the others went
on about the Yankees,
she was making eyes with me
and talking about making wine
and I was talking to her about making poetry.
it was all very wonderful and I thought:
this one could make me forget all the women
that have ever wronged me, and still this might be true
but then her friend got sick
and she had to leave.

the water was getting cold and my fingers had started
to prune a bit. I shook myself awake and let down the water.

back outside again with my friend, the lawyer, Pat and Jim,
they, too drunk to notice my wet head, offered me more to drink.
I filled up, then excused myself from the balcony
much as before and stumbled back inside
where I found a large orange cat that belonged to the lawyer
and who looked like good conversation.
I followed him behind the couch
and fell asleep.

an idiot’s guide to death by Steve Calamars

i was a klutz
when it came
to the razor and
the noose

managing only
to knick my wrists
and give myself
rope-burn

the gun was
useless too
with my lazy-eye
and shaky hands

and i could
never get the
dosages right
when it came
to the pills

so i did the
only thing a
person like
me could do

i belly-flopped
from a 7th story
window onto
a buick

something soft
hitting something hard
really did the trick

like strawberries
and a cinder block-

Pastoral Reality by Joseph Hargraves

I look out my window
for solace from nature.
There is a sparrow
in a branch. It turns
its back on me and shits.

No one ever said birds
only sing; but I read
poetry and am distant
from the truth of the
pastoral. The joy of the
bird is a pathetic fallacy.

Besides it's cold out
and I would rather read
an Ode to a Sparrow
than listen to one sing
while it defecates white
slime down my window.

The Empty Vase by Jenni Fagan

(from her book "Urchin Belle" published by Blackheath Books)

The eighth floor of the tenement view
sliced in three, an' in the centre you sit
naked on a table, legs in lotus, drinking light.

Petal hair an' opal eyes, your fingers
see through, you lick their salt, saliva
scents dry air, the vase contracts, a sigh.

Black clouds settle low around the volcano
outside, crags with their jagged ancients
grumble, a flash of blue, further even than waves.

You, naked silk, drinking light orange to grey,
you're bone-thin, pretty evermore, purple petals
for hair, the empty vase, iridescent perfection.

You incite storms to gather, veins see through
as octopi, petals falling slow into the vase,
browning as the view beckons in the night.

We must follow our stupid hearts, so you sleep
quiet as night an' just as true, nestled in petals,
glass folds around your dreams, tucks you in goodnight.

The Quiet of You by Duane Kirby Jensen

I linger here,
near your body,
which has forgotten how to breathe.

Footsteps sound from floors above,
people doing the ordinary things of the living,
unaware of your contorted form.

It is 3 am. Crinkling plastic shatters silence,
morticians entombing your body for transportation.
Days of ritual and remembrance await.

Ted Berrigan and The Pulled Pork Bunch, My 'O' My by Frank Reardon

Too many have laughed while cutting
my throat.
I watched Ted Berrigan's ghost run out
the back door, he carried a sack of bone
dust,
I never really wanted to die that much.

Bullwhips cracking upon my back, hand cuffed
to the telephone pole.
I was in plain sight for the Doo wop dogs on
Main St. while being sodomized by last years
sermon on lacing up your boots,
Four are dead after getting into it.

Too many missing immigrants never knew
how to turn around and feel,
It might have been my fault as I tend to feel
like a lazy bar.

My eyes always seem to change color when
the dogs mist is in the northern hemisphere.

I am anyone to me, a perfect feeling when electricity
is away from home,
A tiny calm while the dynamite waits for the answer
deep inside my stomach.

Watching something stunning float inside my glass
of half filled anxiety,
I move with the nervous pee pee in the pants girls.
I think their brains melted, sometimes we can get
confused with the My 'O' My.

My bones are of rubber,
long and pulled,
I've watched too many atrocities on the roadside,
Ted Berrigan's bunch just tasted that pork of mine.
Sometimes,
you just have to make no sense at all to find the correct
answers.

dirty words on clean living by Steve Calamars

Jake runs the razor over his face. The blade is dull. He knows immediately that his wife Shirley has
shaved her snatch again –
Every few months she shaves the thing and ruins Jake’s razor. She refuses to use her own razor for the
certainty of ruining it. Instead she uses Jake’s and puts it back into the medicine cabinet, thinking he
doesn’t know.
He hates it terribly when she shaves it. It feels to Jake like he’s fucking a twelve-year-old. It makes
him sick to his stomach. Shirley though, for some reason has it in her head that he likes it. So every few
months she ruins his razor and surprises him one night.
Jake finishes shaving. His face feels like it has been repeatedly slapped by a hand made of sandpaper.
There are dozens of small nicks, cuts and rash spots along his cheeks, chin and neck. Jake dabs them with
toilet paper and pats his face with aftershave. The burning is immense and Jake wipes tears from his eyes.
He rinses with mouthwash and tosses the razor in the trashcan beside the toilet. He flips off the light and
walks from the bathroom into the kitchen.
Shirley is in her lacy nightgown making eggs and bacon. Jake sits down at the kitchen table and puts on
his work boots. She walks over with a plate of food and a cup of coffee. He stands up just as she sets the
plate down.
“I don’t have time to eat this morning,” Jake says, taking the cup of coffee, “I’m gonna’ be late.” “What
am I suppose to do with this food!?” she asks. “Feed it to the dog, I can’t be late.” “Feed it to the dog, why
didn’t you say something earlier!?” Jake doesn’t say anything, he takes a sip of the coffee and picks up his
coat hanging on the back of his chair.
“What happened to your face Jake?” Shirley asks, finally noticing the cuts. “Nothing,” he says, putting
down the coffee and putting on his coat. “Something, you look like you tried to kiss a weed-whacker.”
Jake doesn’t say anything, he picks up the coffee and takes a sip.
“What happened?” Shirley asks again, “Why does your face have all those . . .” “Cause you ruined my
god-damn razor again!” Jake says cutting her off. “No I didn’t!” “Bullshit Shirley!” “I’ve never used your
razor Jake,” she says, “I have my own, why would I need yours!?” “Forget it, I gotta’ get to work,”
Jake says. “No, no you tell me, why would I need yours, why would I lie!?” Jake takes a sip from the coffee, he
looks down at her crotch and then up at her face. He doesn’t say anything.
“I have my own, I don’t need yours!” she says. Jake grabs the truck keys from the hook near the door.
“What do you want me to do with this god-damn food?” she asks. “I told you, feed it to Buddy,” he says
walking out the door. “You’re a real asshole!” she says. “I know, I know I am,” Jake nods closing the
door.
He climbs into the truck and starts it. It warms up while he sits, watching the birds and finishing his
coffee. He tosses the empty cup onto the lawn and backs out of the driveway.
He thinks to himself, work is gonna’ be rough today. With the number of shipments he has to make
sure get off the loading docks, plus the guys giving him shit for his face, Jake briefly considers turning the
truck around. He knows if he does though, he’ll have to go back home and deal with Shirley. If they do
manage to smooth things over and make up, he’ll have to fuck her with that sickening shaved snatch.
Jake decides against it. He instead merely flips on the radio, turns up the heat in the truck and gets onto
the freeway.

Homesick by Wolfgang Carstens

i push a broom
across these dirty floors
sweeping together the dead
flesh of this drama but
this place is not home

this haunted house
where pictures of the dead
stare blankly from walls
pretending to live

this haunted house
where the living take living
for granted

in the cemetary pressed
between rows of skeletons
within the family plot
(homesick no longer)
my own spot picked
and pre-purchased -

the only home i know

a duet by Steve Calamars

hemingway played
a 12-gauge
like a trumpet

lips wrapped
around the barrel
cheeks inflated
like dizzy gillespie

he blew a solo
of buckshot and
brain-parts all over
empty white walls

times have changed
but not really that much

i now cling to a glock
instead of a shotgun

i punch the keys
of a laptop
instead of a
typewriter

i too strive for
sparse prose and
poems clean as
erector-sets

and i routinely
squeeze the trigger
of an empty gun

perfecting my technique
and warming up
my fingers

preparing to
close my eyes
gather my will
and play a duet

vulgar as a bull fight-

Prayer for the Ragged, Torn and Confused by Colin Dardis

It's feckin' cold in Ireland, Jesus,
the dogs have nowhere to hump
all the rain puddles have mud;
where's a dog got to go
to get a clean drink these days,
with no owners to leave
out bowls of kindness or charity?

All the dogs do now is lick their balls
and wait; at least the free ones are left
alone to do so; Ganymedes, Cai Lun,
Origen and Boston Corbett moan
their loss, despite degrees of self-
infliction, lost in the kennels of
Skopsty, Heaven's Gate and Cybele.

The bitches turn their heads away,
Cerberus-come-woman,
snarling, barking, slobbering
waves of hatred flow freshly
from the River Styx: let them
keep in the dead, if only to
remind the living what lies in wait.

It's feckin' cold in Ireland, Jesus,
what with all these lifeless mutts
fouling their tongues onto the pavements,
cuckolded by their own spirits;
Leopold roams, unfulfilled
by a faithful wife, he masochistic,
she, no sadist to the end.

Thomas Chatterton: 1752-1770 by Joseph Hargraves

In a dingy room in Holborn
a teenage forger dead.
Arsenic's convulsions
stopped poetry in his head.


Philadelphia, Pennsylvania
November 2003, 5:30 PM:
In Days Diner because of the cold.
Drinking coffee as fog
washes the windows.

The busboy sits alone in a booth
smoking a cigarette.
Curses come from the kitchen,
the waitress refills my cup,
puts down the check.

The busboy asks an old lady
if she's finished with her plate.
I notice his English accent
and think of Chatterton:

Not as Wordsworth's "Marvelous Boy,"
but dying with vomit, not iambs,
issuing from his mouth.

The waitress tells the cook
that each year there are
less family at the tables
because each year another
member passes.

She wonders who'll die next.
The busboy blows rings of smoke.
The cook says, "The thing about death-
is that we all do it."

Then a couple comes in silently,
and I see skeletons embrace
and decide to leave my coffee
for a fresh cup in a different restaurant.

Time Is A Naked Man by David McLean

Time is naked man standing in the snow
he does not mind. he is wakeful always
and naked, memory is him naked and ice
forever on his skin.

history is standing forever cold in angry snow,
and acceptance and maturity is not minding it,
taking time where you find it, living the life
we find, Time's out of his mind

endlessly alone by Suzy Devere

heavy like bags of gold
my past drops at my feet
you feel me reach
to find you
to light your cigarette
to light the candle
by your eyes

i want you to see me

you don't look

instead

you go

smoking the cigarette
and taking the candle

to guide your way

to the bar
where you use
the stories i've told you

to make yourself more
interesting.

my plasma screams like bottle rockets by Rob Plath

I sharpen my blade
among hordes of ordinaries

I knot my noose
among harems of unhaunted

I cock my gun
among processions of puppets

I lift my drink
among droves of sober sheep

I burn my skull cover
among multitudes of masks

I fork my heart out
and pitch it, still beating
into the furnace of ennui

and phantoms shoot out
screaming like bottle rockets
across the face of the mute moon

Struck by Mathias Nelson

I am too anomalous for this small city.
I stand out like Edgar Allan Poe on opium
or Scissor Hands full of Johnny Walker,
my head a dome of dark thoughts.
These cheeks are too heavy for grins.
Moses split my hair with sticky goop
and there is a small beach ball growing in my belly,
filled with fat ancestors.
I am full of it.
I sigh, sigh
and share pockmarks with the moon.
We have been struck,
bullied by the forces that be. We,
always we.
I am not alone in this world,
just distanced.
I can feel my daughter
beneath my feet
reaching for my heart.
But here
the asteroids keep coming,
bringing no time for children.

Acetone* & H2O* by Aline Rabhany

Acetone*

I want to extract all my feelings
Drown them in a nail polish remover container
Place the container under the sun
And watch its content evaporate into thin air
And feel nothing about it
Just nothing




H2O*

I want to extort all my dreams
Consign them in a kettle of boiling water
Stare at it for a long, long time
And watch its content evaporate into thin air
And never dream about it again
Never again

Robert, from Alcoholics Anonymous by Joseph Hargraves

every time I looked at him I wanted to
punch him in the fucking face
now here I am talking on the phone
to the son of a bitch and he’s telling me
he likes anal sex: "to get it" he’s saying
and I have a hard-on wondering if I
would do it with him or not
but I’m telling him it’s great
he stopped drinking and goes to A.A.
as if I have some fucking duty
to sober up the God-damned world
and he’s asking my advice:
should he quit his job or not
and I’m telling him "one day at a time,"
"easy does it" and my hand is in my zipper
reaching into my boxers and he’s telling me
how spiritual I am and I’m going up
and down with my right fist
holding the phone with my left
and talking about God
and he’s saying how nice I really am
how people have me wrong
how he did too and his voice
makes me harder than I already am
I say thank you with a tremor in my voice
he’s saying "it’s hard for you
to get close to people isn’t it?
and I spasm and drop the phone
and hear him saying
"you’re such a good person"
as I hang up the phone.

Footprints In The Past by Matthew Coleman

I walk the streets of the south coast of England. I pick a small stem of lavender. I hold it to
my nose and breathe in its fragrance. Its smell is so soothing, calming. It reminds me of
the two lavender bushes outside my Mother's house.

Gently I roll the flowers in my hands like I've seen my Father do so many times before.

Neither of us live there anymore. We have not lived there for a long time.

It is my Mother's house now, hers, and yet it holds the experience of most of my childhood.

Again I hold my hands to my face to breathe in the fragrance of the lavender. The small
purple flowers then fall to the floor I walk upon.

The sun is not far off from setting. It is so very warm tonight, and yet so many people are
still inside their houses. I see many of them in their living rooms, transfixed by televisions.

Many windows have been left open. Abandoned.

Warmth is so fleeting in this country, and yet so many people hide inside.

These streets hold the memories of my childhood. They still linger like smoke that will
eventually melt into the setting sun of now.

I walk on, knowing I'm gradually breaking free of many of my illusions whilst trying to shed
old habits like a skin I have long since outgrown. More than anything I want to take off all
my masks, to feel my true, naked self, and to feel no fear anymore.

But to shed these things can be so very painful.

The beach, whose footprints in the sand I'd seen earlier, are now a memory too, like so
many other things before it. But by now those footprints will be washed away, taken deep
into the sea. I should not stop to think where they could be.

I must keep walking, to keep going forward and learn to be able to leave other, newer
footprints behind me.

I must keep walking. I must keep going forward; one step at a time, one step at a time.


The Roaring Twenties by Joseph Ridgwell

(from his book "Load the Guns", published by Blackheath Books)

I don’t know why, but there were many times
In my twenties
When I was plagued by the blue blues
A strange, re-occurring black cloud of depression
That followed me around for months and years
As a good chunk of my twenties was spent in Australia
These thoughts often occurred while I pounded those sun-baked Sydney streets

Or along those rat-infested back alleys of The Cross
Kings Cross
I lived in a succession of cheap apartments
I can remember the names of the streets
Bayswater, Roslyn, Ward, Macleay, Elizabeth, Darlinghurst, Kellett, Barncleuth, ....Orwell.., ..Victoria....,
William, Hughes, McElhone
I can also recall the interior of each apartment
Peeling paint, gloomy kitchenettes, poky rooms, and rotting bathrooms
And it was always summer, black summer
Hot, dusty streets, tarmac melting in the burning sun, hissing and popping
Heat waves shimmering
I was working and drinking, drinking and working
I never wrote anything
But instead thought about writing, compiling notes, and character sketches
Convinced that one day I’d write novels, poems, and short stories
Hundreds of thousands of words, describing those end of century Kings Cross scenes
I would plot up in my apartment, drink beer, and stare at the walls
It was my roaring twenties, but often I felt dead and listless....
Everything seemed to oppress me
Work, woman, cheap wine, the day to day living
Everyone trying to outdo each other
Petty little one-upmanship’s, grubby aspirations, flawed ambition
I felt more empathy towards the street hookers, bums and alki’s
Somehow they seemed more real, open and honest

The tediousness of so-called successful lives always shocked me
The monotony and drabness most people were prepared to put up with
Just to stay one step ahead of the game
Was depressing
But there didn’t seem to be many options
People had been dealt a lame hand
By God, or Satan, or Jesus, or science, or flashing unknowns
I’d walk to the botanical gardens and sit and watch the ducks
The life of the average duck appeared preferable
To the life of the average human being
Sometimes I spot a bug walking along a window ledge
And figured I’d rather be a bug
Then I’d walk to Elizabeth Bay and peer into the gloomy depths
Of the green harbour waters
Wondering if it would be possible to just swim away
Swim away into nothingness and the blue void of the lonely night

It was my twenties, my roaring twenties
And the world ran away
And the days ran away
And the moon was false and the sun sick
And all that was left was to teeter on the cusp
Of the abyss
And smile

Two Poems by Joseph Veronneau

On the Avenue

Mid-afternoon
Kansas City midwest heat in April
outside the old barbershop
the vending machine was
just for looks now
it's pressable plastic coating
cracked like the San Andreas.
Across the street
she walked leggy
one stride direct straight
after another
a Firebird passing
couldn't help himself
double horn blast
she never lost step
or turned
and flipped him the bird
his glare hung a few extra seconds
rearview checking
in case she changed her mind
I regretted being in heavy jeans
that day.
Light changed down
at the corner
she disappeared behind
a well-graffitied wall into
sweltering heat.


Seeing the Future

When the kids come through
the warehouse
we aren't just storing shipments,
they are shown
what happens
if you don't continue with school.
No one tells them this, but
a few sense it.
Some are fascinated,
driving around the lift,
placing crates into ceiling high
metallic shelves.
The constant herky jerky settling
tires screech
and a few chuckle.
A few feel potential here
that they haven't before.
If lucky, they escape it.
If not, the best they can hope
is to be able to write about it.

FEW GOOD MEN by Ford Dagenham

so
bizarrely
I attempt a soft detox
when an Irish nurse
who talks so visually
rings on my telephone

she is telling me
YOU GOT TO HAVE
SOMETHING
OF AN EVENING.

she uses old words
like PALS TUMMY GRUMPY
etc.

her black hair goes all the way down her small back
to her small arsehole.

so
bizarrely
I follow medical advice
fill myself with vodka
and I play N Cave
or M Ronson
on the suffering juke box
loud as a party.

silently on TV
J Nicholson
is raging with an awesome scorn
at K Bacon.

I know then
that detox can hold few delights.

The Way Things Happen by William Taylor Jr.

It is Monday morning, downtown,
I am on my way to work.

On a sidewalk corner
a woman is handcuffed,
surrounded by uniformed men

who have been granted the power
to do such things.

The woman meets my stare
with eyes of hopelessness,
despair, and empty rage.

I have been there,
I may be there again.

And you might ask
if the woman is any more guilty of anything
than the men who put her in the back
of a car to take her to some ugly place,

and I might answer
I don't know
and it wouldn't matter if I did.

Across the street
a woman in another kind of uniform
runs for a bus.

She is still half a block away
as it stops to let the people file
off and on.

Hold the bus,
the woman yells,
hold the bus.

A few people give her
blank glances
but no one holds the bus

and it pulls away
as she reaches the stop
out of breath and clutching her chest.

A man coughs and drops
a losing ticket on the ground
and that's the way things happen.

Lucid Dreaming by Wolfgang Carstens

the term 'lucid dreaming'
is an oxymoron b/c one who
is lucid is not dreaming;
one dreaming is not lucid.

lucid dreaming refers
to experience of being awake
inside a body that's
technically asleep & dreaming.

the oxymoron here beautifully
illustrates dichotomy between
body & mind. something cannot
be both awake & asleep at same
time.

the body is growing old
& dying; it sleeps to repair
itself. the mind, never in need
of repair, is merely along
for the ride.

primary purpose of dreaming
is to engage mind; to simulate
life while the body sleeps;
to trick it, chain it to meat
& bone.
w/out dreams mind would wisen
to the grand deception
& take opportunity to escape
fleshy prison in which it
has existed since birth.

consciousness is
not a light switch either on
or off - rather the body.
mind is energy, the 'i',
the animating force of matter

ready on any given night
to unstaple it's eyes;
unstitch it's lips; scream
against the deception

awake
inside a sleeping husk.

Two Poems by Suzy Devere

DELIVER ME FROM YOU

nothing about you is familiar
no look
no quip
no smell

the fleeting thoughts that were once
centered around making you mine
now find everything but you

there's no magic that can make this
"unlove"
start

but sartre took me through you
and your habits
explained them to me one by one
and you look foolish to me now
dumb in your security
false in your self-promotion
desperate in your little room
tired in your small life

and I'm down on my knees
giving thanks to a god I swore I'd never believe in
for delivering me
from you.


THEY LIKE TO ASK QUESTIONS

they like to ask questions
to get in there and remove memories that aren't theirs
like old shards of glass they think they can piece together
and glue to make a light bulb

but it never
really
lights up

it never really
illuminates anything except the fact
they're travel writers
writing about places they've never been.

Whoever Said by Mike Meraz

whoever said,
"if you love something
let it go free. if it doesn't come back,
you never had it. if it comes back,
love it forever"

is a complete idiot.

I once called an ex-girlfriend
after 2 years purely
because I was horny
and I knew she was an
easy lay.

re connecting with old friends,
old lovers is good,
but we should not put
too much weight into these things.

life is life and people are people
and for the most part:

things do not change.

find your niche,
find your groove and go with that.

let others do the same.

love not as a prize to be found
but as a daily occurrence of life.

like brushing your teeth,
or wiping your ass.

love not as a monumental thing
but as an ordinary step to
your happiness.

No Name 2 by Zach King-Smith

When a man
sits down in
a room alone
for long enough
an iron silence
drapes over
his heart &
the walls &
the paper
blend together
in perfect
harmony.

The only
sound is
that of the
cat purring
truncating
the silence
of the heart.

Storm the
Bastille &
rejoice for
you have
no name
but on
paper.

The
mind
is
buzzing
with
scatological
bullshit.

Two Poems by Rob Plath

might

i might see spring as a charlatan
but still i plant flowers in may
chinese lanterns & morning glories
beneath the beige chipped shingles
& the gray cracked foundation
outside my tiny apartment

i might see the sun as a giant zippo
under our flimsy flesh britches
but still i walk about & light cigarettes
& flirt w/the flames by blowing smoke
back at its towering lethal tongue

i might see silence as the only real language
but still i humbly mumble these lines
to the landscape & to any creatures
within ear shot in order to gently break
the lonely lull


the worst kind of junky

there are junkies
of all kinds

but the worst
by far
is the junky
of beauty

while the fiery sea
of agony
surrounds them
swallowing their
fellow man
they do not see
beyond their
hypodermic needle-binoculars
that focus only
upon beauty

they push the plunger
& inject
a sunset
a starry sky
a tree
a waterfall
into their eyes

& their rods & cones
quit trembling
from the fix

& their eyeballs roll
back inside their
skull
& they sigh

overlooking the millions
of blistering, charred hands
reaching up
out of
the flames

The Lone Wolf by Karl Koweski

she’s lying against me
this anonymous woman
in this anonymous room

she touches the wolf
tattooed on my chest
and asks if I consider
myself a lone wolf

and of course the
answer is no
lone wolves are weak
disposable, incapable
I’m the alpha male
I’m the strongest
I lead the pack, baby

she nods her head
in complete understanding.
is that why you backed down
when that dude wearing
the leather jacket
knocked the beer
out of your hand
and called you a pussy?

oh
you saw that...

WE MUST BE CAREFUL / TROUBLE WITH DEATH IS TIMING by Richard Kovitch

WE MUST BE CAREFUL

"We must be careful."
"We must?"
"Yes. We must."
"But why?"
"You'll know soon enough."
"Will I?"
"Yes. You'll know."
"But how will I know?"
"When 'It' happens."
"When what happens?"
"'It'"
"'It?'"
"'It''"
"But how will 'It' manifest itself?"
"You'll see, and you'll know, and you'll think, 'So this is 'It'. This is how 'It' manifests itself.'"
"Right…."
"Until then. Watch out. Be on your guard. And pray."
"Pray?"
"There is no other way."

THE TROUBLE WITH DEATH IS TIMING

The trouble with death is timing. For the relatives, for the doctors, for the dying. We steady ourselves for the impact of a life ending, perched upon the precipice, waiting to jump. But it doesn't come. We are helpless here. We have no control. We are in the dark of the Waiting Room and all we have is the waiting. But we know death will come. It has to come, but still it does not come. Seconds become minutes, minutes become hours, hours become days, days become weeks and still it does not come. Months pass and still death does not come. There is only dying and more waiting. There is no end. So we try to live again. We begin to make plans. We think about a day in the future when there is hope. And that, finally, is when death comes...........~~~~~~___________.

Don't Do It, Esmerelda by Chris Malaise

You can't sing and you aren't beautiful or smart or witty, I've never heard you say a funny thing. You talk too loud and you talk too much. You play sexy with a cross-eyed, snot-nosed tongue licking out the side of your mouth like it's going for ear, voodoo doll face and you have this odor that I can't rightly compare to anything on earth and it sits in the back of my throat like mayonaise. I gag on the air that comes out of your lungs like it splits all the good air and shoots right for my life. You gang bang the simple sentiment with child-like enthusiasm, stealing everything perfect from perfection and then your blush makes everyone feel guilty for wanting you dead. You keep showing up late just when everyone is certain that you didn't hear about the occasion and then apologize for being late and play so sweet we have to all suffer in silence.

You make fashion designers drink. heavily. You make me crazy. You are always smiling and you are always laughing and you find this fucking grace to the people who are mocking you and you forgive them by going to the bathroom to cry. You make me sit next to you and I can't stop walking beside you and you walk in front of traffic without noticing traffic so that I throw myself in front of traffic and then you throw yourself in front of me who was throwing myself in front of you.

What is that you find so worthwhile about the world, silly girl? Why do you get out of bed and leave the house and call me from the false pretense with such idiotic sincerity? You have to be stupid to be happy in this world. I am so smart. I want to thorn vine my throat and jump off the crown of the earth and catch in the eyelids of the atmosphere so my neck snaps just before I lose gravity and I slip from the blue eye like a tear.

But then who would protect you? Who would remind you that they aren't laughing with you, they are laughing at you? Who would be there to tell you exactly what you are capable of and be embarrassed for you when you try to do more? How would you know that they aren't being sincere, that they don't love you and they will never love you. Without me, my love, you might not even notice that they're there.

Yes, baby, they are. And they hate us.

Don't you do it. Don't do it, Esmerelda. Don't you turn into something beautiiful right before my eyes, I want to fist fuck my funeral procession. Don't you make me smile and slip duct the black-eyed night time with some kind of fantastic foreign feeling that I can't put into words.

Don't you point out the beautiful music and the funny little bits and the wide shots of epic moments in crummy american/italian/french/Indian/Iranian apartments of simple human talking, humans like you and me. Don't you do it, don't do it, Esmerelda. The happiness of children in Egypt make giggles and nervous glance but to spite me, though it does quite excite me when you talk about it and show me the pictures and you get me everytime with your beautiful voice and your beautiful face and the way you wear those rags and got damn it all to hell, you've done it again, because you know how I hate to be negative and how it tears the peace of mind right out my mind to use the lord's name in vain and I guess I was just raised that way and I do hold on to those silly, silly supersticions and I want for there to be a happy ending and it kills me, you know it does, to end it any other way, and I'll never do that to the world.

No, I would never do that to the world. Don't you say that the world wouldn't do it to me. Don't do it, Esmerelda. I have written them, and not they, me.

Makes perfect sense.

Think I said something stupid. I didn't mean to offend. Think I must have done something foolish, yes I did it again, Esmerelda. I think I felt a little bit awkward and tried to better everything by distracting the attention of the sleeping ciritcs by dropping a stack of plates. I don't really think I write the world, I'm not really talking to a particular girl, that's a lie, I'm always talking to one particular girl, I just change your name and hide you from them like you hide yourself from me and could it be, could it be, of course, of course, it's you, stupid bitch, from the floor of this ditch in that halo of moonlight I was so right about you and would take the beating five million times over for the soft of your hot cunt upon the first slip in. Let me say that again, I would take the beating five million times over for the soft of your hot cunt upon the first slip in o' my throbbing cock with a heartbeat beating on it's own in that cyclone pussy with funnel suction, I read every word of the introduction and the author's notes and the translator's favorite quotes but I still think he wrote you all wrong and that fucker gonna ghost gaze dawn with the smoking hole in the forehead of a body, spirit gone, for every word he said about you.

Because every word he said was true.

What else am I to do?

kill

you?

never.

Something green and spring and there goes the ice age.

Breathing Seems Unnecessary by Miriam Matzeder

mad about loving
much as Henry Miller was mad about loving
prostrating himself before the unsheathed beast
taking it up the ass
for women who could never love him back
but mad at love, too
mad because it looks down its nose at me
it spits in my face and tells me i’m not good enough
it cums in my mouth
and sends me on my way
the audience blessing my heart only makes it worse
i’ll never forget
the Missouri State Fair that year
a two-headed cow, one head cognizant and chewing
the other, a lynching, and slobber
i wanted to shoot the smiling merchants
the wind i used to love
now hurts my skin
there is an urge
to suffocate myself
breathing seems
unnecessary

gods' heads by David Mclean

and in dreams are gods with the heads of animals
and bodies of men or women or other animals,
totemic beings in which we believe
when skepticism is dressed in dreams.

they do very little but they are probably evil
and the devils do not like to mention them -
the devils are usually my friends in dreams,
they are kind, like death himself,

so dreams are where i play, in greasy
and nevertheless desolate fields, with parts
of cozy cadavers, heads and hearts, with dead
children and with my dreamless friends,

the fiends

The Crime Of Memory by Frank Reardon

It's a face I can't imagine
eating me whole like the
strong laughter of lovers
and their missing heads.

I want to let it go but I
can't it hits me like a
hammer that wishes it
had a house to build.

They've all said I was
nothing, a nobody who
amounts to cheap forms
of trash and despair, I
always tell them I'm
working on it....they just
see the pistol.

I want to be the singing
bird outside the window
I want to be the statuesque
Buddha who prays for scores
of misery but I'm me in a street
crying for desire.

I want to be the angel who gives
halo's to the holocaust and I
want to be the drunk who can
tell the world to go to hell but I'm
trapped in a obsessed need for
sensitivity and In turn I wont see
the universe with stable eyes.

I want to matter in words and
never reason, I want to see the
gutters for more than what I can
be. I want to scream like legions
stuck inside their ears but they never
hear, they always end up hating
me for wishing I was delusional.

I want to throw my arms around
walls that are not there and I want
to converse with him, her and
myself but they only want to tell
me what is wrong and what I need
to do before the old man sees right
through the age of what I am becoming.

A Calloused Heart Is Often The Result Of A Wounded Heart by Mike Meraz

I remember a time when I was feeding
the homeless in Santa Monica.
there was an old homeless lady
walking down the street with her belongings.
I pulled up next to her in my car and said,
"hey mam, would you like some food?"
she looked at me with a mean face
and said, "get the hell away from me!
don't bother me."
I drove up next to her again
and said, in a more soft, concerned,
tone of voice,
"mam, if you would like some food,
you are welcome to have a lunch."
as I said this I held a sack lunch
outside my window.
she stopped.
I started to think to myself, "oh, she is
going to take it."
but then she hesitated as to see if I was safe.
then she started to move towards the car.
slowly, but surely, she came to the car window
and took the lunch.
then, in a very meek tone,
she said,
"thank you very much."

people, for fear of being hurt,
will often put on
a cold and hard demeanor.
but as soon as they
see that it's safe to talk to us they will
let down their wall and reveal their need.
I could have driven away after the
homeless lady's first response.
but something inside me told me
she was in need of love
underneath her
tough and angry
exterior.

a calloused heart is often the result
of a wounded heart.

The Old Poet by Karl Koweski

the old poet likes to relate
the story of the one and
only time he met
Charles Bukowski
following a reading engagement
at a west coast college

Buk sat at the bar
of a popular hangout
and the old poet
young at the time
but still old enough to
know better approached
Bukowski for an autograph

Bukowski signed the book
then spit in the old poet’s face

Buk went back to his beer
the old poet scurried away
to wipe the spittle off
his cheek and gloat over
his moment with the
"world’s greatest living poet"

is it any wonder
the rotten sonofabitch
felt such
contempt for poets?

A MAN AND A WORD by Suzy Devere

been listening to poets read words detached from me
alliteration
rhyme schemes and
meters

i'm a simple girl
after all these years and all i want
is a word
like a man
to yell
in no fancy way

I WANT YOU

all I want is a man
like a word
to yell

I WANT YOU

all I want
is a man
and a word

to stay

where I can
hold them
hear them
be near them
both

again

Happy Birthday Mr Cool by Wolfgang Carstens

my father turned 60 today
which is 2 decades longer
than anyone expected
he always thought that he
was mr cool
he wore gold & diamond rings
on every finger of both hands
except for his thumbs
three heavy gold chains
around his neck
w/ st christophers medallion,
a crucifix & an eagle
his sleeves were always rolled up
shirt always halfway unbuttoned
showing off his chains & chest hair
he wore thin, black leather coat
year round
even in winter when it was -40
he'd be shovelling snow
coat unzipped, sleeves rolled,
shirt unbuttoned, no toque,
no scarf, no gloves, no boots ever
he always wore a large belt buckle
that read "bullshit"

he was one tough son of a bitch
one time when his 2nd wife died
& her family blamed me b/c
i never accepted her
as my stepmother
my father put his oversized fist
thru a plaster wall
it broke clean thru to other side
then shaking his wrecking ball
of a fist at every1 in room
he growled, "who's next"
another time when he was drunk
& looking to rent a prostitute
down on jasper avenue
he was jumped by 5 guys
& thrashed to w/in inch of his life
they lifted all his jewelry
except for one ring which he refused
to give up
no matter how much or how hard
they beat him he clenched his fist
tighter & refused to uncurl
his fingers
even 4 weeks later when he was out
of hospital his face was so mangled
he was unrecognizable to me

sadly other than his toughness
his only dicernable skill in life
was drinking
it was incredible
how he poured vodka into a tall glass
added a splash of kalua
& guzzled it down
in one long uninterrupted gulp
he went from stone cold sober
to shitfaced in 30 seconds
you could actually watch his eyes glaze
& cross b/f his empty glass hit the table

last time i saw him was thanksgiving 1995
i hadn't been there more than 20 mins
& he was already trashed beyond repair
after falling & destroying a glass table
he tumbled down steep basement steps
& couldn't climb back up
when i went to help him
his 3rd wife janice screamed,
"don't fucking help him
if he can't get up the stairs on his own
then he doesn't deserve to fucking eat"
so i left him down there in the dark
bleeding from nose & mouth
crumpled on the cold concrete floor
like a wet, dirty towel

as i think back now
beyond these demented highlights
from home movie reels
my father did nothing but disappoint me
he used to read my poetry & bitch
about lack of paragraphs & punctuation
"but it's a poem dad," i remember saying
even after my parent's split up
i remember standing at window w/ suitcase
every friday waiting for him to show up
but he never did
still my most painful memories
are those of being abandoned
at hockey practice
all the other kids were already gone
& i would be standing there like a sucker
w/ my heavy bag of hockey equipment
forced to carry it home in sub zero temps

my father turned 60 today
which is 2 decades longer
than anyone expected
he hasn't seen his son in almost 15 yrs
he hasn't met any of his 5 grandchildren
they've never ever seen a picture of him
it's as though he never existed
which is fitting i suppose
b/c that's how i remember him
invisible

Brand America by Maria Gornell

In a time of universal deceit, telling the truth is a revolutionary act.
~George Orwell~


44 caliber pistol
Brains splattered
Across flawed American
Dreams.

Congratulations.

In Iran chanting
Death to America
Burn this new messiah.

He will come
Chanting war
20.000 troops
Will vomit
With patriotic pride.

Coffins still returning
Blood soaked flags.

Eastern Europe will riot.
England will provide
Tea, sympathy
Stiff upper lip.

Capitalism coils
Reinvented territory
There will be blood.

Sell me a product
A perfect gleaming
Substance of hope.

Black equality engraved
Packaged with precision
Eradicated of class struggle.

Call it ‘I have a dream’

Sell it on slaves
Corpses turning in graves
Sell it on
Civil rights
Women’s movement.

Sell it on Obama’s dream
Ambition taste curdled.

Call it brand Obama

Chant
‘Yes we can’

Call it democracy
financed by the elite.

The Nonpareil by James Dalrymple

According to Martin, people who talk about killing themselves never actually do it. It's just one of ten- thousand 'opinions' he's absorbed from the least credible sources. If he didn't surround himself with knuckleheads and bootlickers, someone might say, "Is that a fact? Not once?" or even "how the hell would you know?" Instead everyone in the vicinity nods thoughtfully as if his statement was based on years of personal research. "Look at what happened with John," he adds, referring to the time it took half the Carver Police Department six hours to coax our brother off the ledge of the South Street railway bridge. "The whole town was watching and he just fucking stood there." As far as Martin's concerned, John's gutlessness vindicates everything he's ever said on the subject. "Don't talk: jump. Otherwise people are just going to be embarrassed for you! How do you deal with someone who's been led off a bridge by the fucking hand?" From Martin's expression, no-one can help but reach the conclusion that John let everyone down very badly. Ten years on, he still feels the humiliation as if it was his own. He can't help bringing it up. It either doesn't occur to him that the topic makes people uncomfortable or, more likely, he doesn't care. Looking at the way he chews on his lip when he talks about it, I'm reminded of Dad. It makes me think of the Sean Milligan fight. In my mind's eye, I can still see the old man, pounding on the canvas from the side of the ring, shouting, "Get up!" while John, eyes clear but fearful, settles on one knee and stares disconsolately at the canvas. "Get up!" shouts Dad as the referee's count drags inexorably toward its conclusion. John doesn't even look at him. Twenty years on, a couple of drunks passed the time by pelting him with empty beer cans and cigarette ends from an apartment balcony overlooking the South Street bridge. "Just fucking jump and get it over with," they shouted. John didn't so much at glance at them, not even when a can hit the back of his head. The next week one of the drunks was thrown off the same balcony. Martin might have agreed with the sentiment, but it certainly wasn't theirs to express.

There's etiquette for dealing with unsuccessful suicides. You have to jolly them along a bit, make them feel good about themselves without going over the top about it. Anyone who's been in the situation will know what I'm talking about. However embarrassing you might find it, you have to act as if talking to them is the most natural thing in the world. Don't skirt the topic of their death wish, just get it out of the way and move on to something else. Whatever you do, don't get emotional about it, just treat it like any other topic of conversation. The first time I visited John in hospital, I couldn't think straight: I ended up blurting out that he was my hero. This was definitely a mistake, I just couldn't think of anything else to say. We both knew it was a lie. "People shouldn't have heroes," John chided. "Not at your age at any rate." Despite everything, it irritated me that I was being lectured by someone who'd only recently made such an ass of himself, particularly when I was just trying to be kind. That's just John's way, though. He can't help pontificating. I resisted the temptation to admit that I had been lying and that I'd always thought that he was kind of a joke. "You're probably right," I conceded. "But everyone needs someone to look up to. I've always looked up to you." I've never been a good liar. On this occasion, I could feel myself reddening to an extent that I excused myself and went to the washroom. It was such obvious bullshit that I was angry with myself for saying it and irritated with John for making me feel that I ought to.

Martin, who actually had idolised John, didn't even visit him. As far as he was concerned, the entire exhibition was a sham. "Why does everyone keep talking about a suicide attempt? He didn't try and kill himself," he said. "What was stopping him? He only had to take one step forward. I'm telling you, if no-one had called the cops, he'd have sulked there for five minutes feeling like a fucking martyr and then he'd have climbed back over the railing." With hindsight, he was probably right. John's always enacted these private dramas. He's never really needed much of an audience. God alone knows what fantasies unravel in the theater of his imagination. For all I know, perching on the ledge of the South Street Bridge might have been a secret ritual indulged for years without interference. On this occasion, unfortunately, someone called the cops. To make matters worse, Ryan Derrick of the Gazette got a hold of the story. I'm not sure how, but I suspect Dad called him. Three days later the banner headline 'Tragic John's Suicide Bid' was all over Carver.

STRAW WATERFALL by RC Miller

Deafening the agitated goals we lose our lives over,
A second language
Rains your pair collecting my veins.
I'm released from worldly concerns, I'm released
Ahead of earthly burns.
People, your plot experiments
All the day long in seclusion, and it moans
Lazily down a river contrasted with nerves.
The trees hugging awkward curbsides
Recede through latex scarcely true subject.
And the brains
Precede the presence of a sage to avoid,
Irrelevant and carnal
As are these vile rays in the average wire
Foretelling of straw waterfalls
And kerosene lynched from my old friends
Gone the cola price
Arid on a spontaneous foreskin.

Thoughts from the Pond by Jarlid Shadows

As a sickly child
I saw great things
when others could not
I was at home in the woods
where I built tunnels
dug holes
stored precious childhood treasures
hiding from the realities
that were so harsh.
I spent my time
carving masks
creating illusions
that would follow me
through my teens.
The strange long haired kid
with glassy eyes
that revealed nothing
of the pain shackled to his ankles;
the bell bottomed freak
passing through others lives.
Then hell came to visit
and once again realities split
splitting me as well.
So don't ask what reality is
for there is only a comparison
of that around us
and I have my own.

The Paralyzed Poem by Rob Plath

this poem is
so self-conscious
it is seriously
contemplating
suicide

it daydreams about
diving off the
goddamn page

becoming an unpoem
a jumble of sentences
a pile of mere letters

i'm trying to
get it to be
like other
well-adjusted
poems

unself-conscious

a poem that
humps the NOW

but this poem
has hamlet-itis

it doesn't give shit
about
its readers
or the writer

i keep pressing it
to experience more

but all it does is
ponder the curves
& 90 degree angles
of its letters

it thinks subject matter
is meaningless

it says god is
inertia

it prefers writer's
block

this poem is
paralyzed

what this poem needs
is a bottle
of whiskey
& some smokes

but it's being
a stubborn sober
pussy

The Sound of Our Breath in the Darkness by William Taylor Jr.

Note the color of the sky

accept the sun
and the rain as they come
and be glad for their presence

celebrate this flesh
and whatever lies beneath it

the feel of us
and the sound of our breath
in the darkness

all these things precious
and temporary

let us embrace them
but not

make more of anything
than what is there

for fear our hearts should break

take this day and be not concerned
with lack of faith
or direction

take this moment and bless it
in whatever way
you see fit

and continue on to the next
not pausing to worry
so much about the why.

I CUNT by Ford Dagenham

whole Saturdays sweating
working
out in the garden
under autumn suns
and whole nights
doing fine wine
bunkered in my high marsh plot
before
I squeeze time in
to squeeze words out
in some grey dawn –

all this effort
will call me a
CUNT
on Sunday when I am all wrong

but this Sunday
I got valium in the cabinet
and I,
CUNT,
will take the low prince from the cabinet,
take it with cold water,
and shop with pockets of change
for cider and eggs.

in the park I stare at the park.
I am holding a soft drink.
I am a bundle of white cotton I must wash.
my hopes
for tele are high and innocent.
(inevitable
eventual
disappointment)

I am only washing alone in a park, a cunt,
with nothing to relax to.
I smell the air
fresh off the A13
and just stand still
not thinking much
not thinking much.

maybe if it doesn't rain
I'll go back and get my camera.

Suddenly Grateful by Rob Plath

i am hungover
attempting to create
a giant healing omelet
consisting of
eggs, tomatoes, onion
garlic & smoked cheese
i am grating the gouda
when i feel envious
at the way something solid
gets quickly shaved away
i wish i could grate
my pain into shreds
then i take a look at
the small mound of cheese
that went from a solid mass
to a bowl of slivers
to a small pile that reminds
one of worms
then suddenly i feel
a little better
add hot pepper flakes
oregano, sea salt
grind some black pepper
& as this golden half moon
sizzles in the pan
i open a window in mid-october
it being a spring-like day
& the sound of the plane
roaring overhead is not noise
but pure movement
& i sip hot coffee
from an unchipped mug
& it rolls over
some chunks of my pain
like scalding water
over blocks of ice
shrinking them for now

The Drama of Flesh by Wolfgang Carstens

(for Rob Plath)

the kids & i bundled ourselves
w/ long underwear, snowpants
jackets, mittens, scarves
toques & boots
& trudged outside
into the first snowfall

the snow was sticky so we
rolled it around the yard
until we had six balls
to build two snowmen
side by side as man & wife
w/ bicycle helmets for hats
peeled baby carrot noses
charcoal briquette eyes
& stick arms

i smushed half-rotten apples
into her cheeks for color
& pushed my corn-cob pipe
into the mush where his mouth
should be

went back inside for hot chocolate
believing that winter
was finally here
but it wasn't - in fact
it wouldn't snow again for 2 weeks
the weather warmed & our snowmen
melted on the green summer grass

within days it seemed as though
the husband was leaning
to kiss his wife
to whisper sweet nada in her ear

a few days later he was
leaning into her hard
like an ogre barking
orders in her face

soon he was standing over her
screaming bitch, cunt, motherfucker
then right before my eyes
his heart stopped & he dropped
dead to the ground

she continued another week
without him
shrinking into an hunchback
close to the earth & hobbling
like an old woman

but she too wore out
& fell down next to her mate
both disfigured like fall-out
shapes from an atom bomb blast
melting into green blades of grass

the entire drama of flesh
played out in our backyard
w/ the cold, hard precision
of ice

The Corner Shop El Sanguchetto by Mike Meraz

I just got ripped off
by the Mexicans
at the corner shop
El Sanguchetto.
$2.39 for a gallon of water?
who ever heard of that?
then I come home to find out
my phone is disconnected.
unpaid bill.
so I could not call the body shop
about my van.
I got in a car accident
two days
before Christmas.
not my fault.
it has been a hard week.

now I sit here writing this to you
hoping you understand:
the end of the world
does not bother me.
all I want
is some peace
before then.

FIGHTING FOR YOURSELF by Suzy Devere

I'm finished cleaning dog bites
from angry mutt mouths
and rabid pedigrees

Done cleaning the dishes left
by contrary-just-to-be-contrary
shit heads and wasters

It's enough to watch out for myself
but this looking out for others is too much
you don't understand?
you don't get it?
you didn't go to school?
didn't read that classic?
didn't study French?

it isn't about elitism anymore
it's about you being lazy
so I'm leaving you behind.

From now on you can
fight your own battle for the losers
and the land of lost causes

eventually you'll realize you're only
fighting for yourself.

What Happened to Fletcher’s Balls by Karl Koweski

y’all hear about Fletcher?
Bright asks the circle of smiles

of course, we’ve heard,
it’s all anyone’s been talking about.

for Fletcher, he was simply a victim
of the wrong time, wrong place syndrome.

the wrong time being
when Bennie Lee got home from work.
the wrong place being
between the legs of Bennie Lee’s wife.

Jesus fucking Christ, man
how bad does Bennie Lee gotta be
to hold Fletcher down,
one handed, while his own wife
waffles his head with an alarm clock,
and lop off Fletcher’s nuts
with a straight razor?

Maybe not too bad a motherfucker,
we all knew Fletcher growing up.
he always felt more comfortable
playing house with the girls
than rough-housing with the fellas.

never-the-less, Bright says,
twenty guys couldn’t hold me down
long enough to cut off my balls.

anyone wanted your balls, Bright,
all they gotta do
is go digging in your wife’s purse.

seriously, though, think about it
Bennie Lee kicks the door in,
Fletcher must’ve gave up right there,
rolled over like a little puppy dog
and begged for mercy.

Mikey wonders aloud
what do you guess Fletcher
said to his wife
coming home minus his testicles?

I wouldn’t say a fucking thing.
I’d put two baseballs
inside a Crown Royal pouch
and staple it below my rod.
long as I keep the lights off
the wife’ll never be able
to tell the difference.

now I’m not up on medical science,
Mikey says, but couldn’t
the doctors reattach his testicles?

Bright shook his head, no dude,
by the time the cops killed
Bennie Lee’s doberman
and the doctors opened up its stomach
there wasn’t much left of
Fletcher’s balls to work with.

The Stripper by Joseph Ridgwell

Chantal
That was the stripper’s name
Blonde, voluptuous, with a winning smile
She lived in the apartment opposite mine
And worked in Playbirds International
On the main drag
And also Porkies
In Porkies she did extras
I liked the fact that a stripper lived opposite me
When we passed each other in the hallway
We always said hello
And on the main drag
She would wink at me
And flash that winning smile
One time I was locked out of my apartment
And had to climb through Chantal’s bathroom window
Shin along a drainpipe
Into my open kitchen window
It was an eight floor apartment
Instant death if I fell
But there was no other way in
Afterwards Chantal invited me to hers for a drink
We didn’t talk much
I was slightly overwhelmed
She had travelled down from Brisbane
And wanted to be an actress
I was wearing my hospital porter’s uniform
Black baseball cap, black trousers, striped shirt
Chantal was in a dressing gown
I kept eyeing up her legs on the sly
Nice legs, nice breasts
And that winning smile
I would dearly liked to have shagged her
But after one drink I left
About a month later
The agent appeared at my door
Had I seen Chantal?
I hadn’t
The agent opened the door to her apartment
With a master key
The stench released was overpowering
I gagged
The agent went in and came out
Quickly
She’s dead, he whispered
I stood there
In my doorway
Not knowing what to do

Everything. by Jay-James May

Coffee before work a cold cocaine embrace
in the attic the
feeling of skin through silk
a restrained kiss by the bank
in the rain these
thoughts cooking together carpet burns arguing
realising possibilities a
glance a smile right hand brushing over
rising falling guts
or the lack of naming kids in advance something
about rivers canals reflections
in glass breakfast at three in the afternoon
just about


Everything.

Funerals Are For Whores by Frank Reardon

In case you're wondering
I just got back from my
own funeral. My brains
feel like rolled dice and
probably look like cracked
corn. In case you're feeling
ill I left you a suicide
note next to the lamp stand
and yes I'm explaining to you
why Sloop John B needs to
be played while you roll
me out those church doors.
If you feel the need to say
anything say this, He tried
so hard, he was even decent
at writing. He had his faults
and demons but outside the
bar he made proper promises,
I'll remember you. So I sit
and wonder after my own
funeral if any of it ever
made sense if any of it even
has a purpose if laughter and
love is more than just evidence.

Blanket by Dan Bradley

Clouds are so huge but less dense than me.
There are a million rain drops in a cloud but
A million inches of organ in this
Twitchy bitch of a
Soul, so
How can I get so calm like that?

Problem is that all these clouds, they work
Together. We all forget the drummer, strum
Discordant. I talk at the world,
Cats, blankets, referees..

Tonight I wish I knew something about astronomy. And
Wasn't just a guy
Who writes poems.

There are lines of stars, shapes of stars and a
Full half moon
And I don't even think I've seen so many
So bright. There's one wild one that must be North
Cause it's the way I'm facing.
It causes such a light I see dim clusters like epiphanies, and
Future galaxies.

It's so incredible I almost go and ask that old neighbor lady
Of mine with the dog
Who scares my cats, who's
Waking up as I begin to dream.

In daylight you could stand in the street
And maybe grow afraid at the possibility of cars
(Dogs, busstops..).

In my nighttime backyard it all looks empty,
Like the universe has always dropped
Just around
Us.

Like I could lie down and be welcome
Under streetlamp glow.
Sleep cheek-to-cheek
With willow tree
Shadows.

MORNING HAS BROKEN by Michael Keenaghan

Daylight. Staring into the bathroom mirror. Your eyes, look at them. The fear in them. And your hands, they're shaking; you're trembling all over. Stop this, right now, go back to bed. But you can't. You've got to work. Get to the office and work. Things to do, out there in the real world, away from all this. Got to remind yourself it's just a morning thing; same rush of fear, rush of panic. Everything magnified. All your mistakes, all the damage you've done. Your whole world ready to crash in, drill a hole through your brain, up against the wall, raped, mutilated, flayed alive, you're coming to hell you bastard.

No. Snap out of it. Turn away. And you do. Pissing into the toilet now. But look at yourself. The things you've done. You're evil, do you know that? But of course you do. Can feel it pulsing through your system like a curse. Every morning shivering, sweating, stinking of last night's drink. Go on, get it out, rid yourself of that poison. But you can't, can you. The sickness deep within, etched there like a rot, a deep putrid stink.

No wonder Carolyn left you in the lurch. Wife, two kids - then suddenly nothing. You in this family home all by yourself. Just you and the memories. Remember the time in the kitchen you grabbed her by the hair. Do you remember that? Really went for her that time, didn't you. Carolyn clutching her head where it had smacked against the sharp edge of the cupboard. What a bastard. Gushing out apologies, swearing you were sorry, it would never happen again. But it did though, didn't it.

And look at yourself, brushing your teeth now, terrified of facing the light of day. Not surprising really… She's not coming back you know. I mean, you do know that don't you? Forget what she said about thinking it over, those were just words. You're alone now. This is it. This is how it's going to be from now on. Carolyn, the kids - they hate you. Your own children - frightened of you. Feel pain, fear, every time they think of you. Your own kids.

Remember the football incident. No? Of course you fucking do. Comes out to bite pretty often that one doesn't it. Carolyn out shopping and you in with the kids watching the football. It was the Saturday after you lost out on the promotion, wasn't it. Day after the night before. Let him relax, go on, let Daddy sit and watch his football - delicate Daddy with his sensitive eyes, ears, his pounding head. But Amy, 2, and Jack, 4, running around making a right racket. Jack especially. Jack who you had told two, three, four times already. Head thumping with pain after having drunk yourself into a stupor, in the pub throwing back shorts long after your workmates had left, trying to initiate conversations with strangers and nobody interested, then staggering home and puking into the neighbour's front garden, and look at you now, the state of you, and the kids running and tearing, every sound cutting through your skull, and Jack Jesus Christ if I have to tell you again, and he kicks a toy that goes flying, the screams going right through you, and you grab him, shake him, roar your frustration into his face, then you push him and he goes flying, crashing into his toys. Suddenly looking at you, in shock, in fear, then running crying out of the room, Amy following - Jack, I'm sorry, Jack - and Carolyn appearing at the door, dropping her bags and clutching the children close to her, and you saying it was an accident, you were sorry, you never meant it, you

You make me sick.

And look at you, shaving now, scraping that thing across your neck. Why don't you put that razor to some proper use, stop kidding yourself, living in a fucking fantasy. No-ones stopping you, you know. Think of it. Not going into work, not today, not ever, and the police coming round to break the door down. Or maybe Carolyn herself, suddenly wondering, suddenly caring, coming home atlast. And you there hanging from the ceiling with your wrists all slashed and a smile carved across your face, a sad happy clown, a dead fucking carcass, all you've ever deserved, everyone out of their misery.

But it's not going to happen, is it. Too much of a coward for that kind of thing, aren't you. In fact you're too much of a coward for a lot of things. Take the other evening for example, coming out of the tube. Bloke asks you for a cigarette, a teenager, and you give him one, but the next minute he's strutting next to you down the sidestreet, asking for money, needs it for a travelcard, what about a pound then, a fucking pound, what do you mean you haven't got it? Commenting on your suit and tie, telling you you're lying man, look fucking loaded. But you insist, tell him you're skint, and he gives up, lets you walk on. Tutting at you. Goading you. Fuckin prick. Come round your yard and rob the place, ya fuckin pussy.

But what did you do, what did you even say? Nothing. Just walked. Heart beating. Kept moving. Bastard shouting at you. You, who had spent twelve hours sweating over that sale, sweating, fretting, stressed to the hilt, with your wife gone, your kids gone, your debts, your bills, your mortgage, knowing if this sale doesn't go through you might as well be dead - with some total stranger, some ignorant fucking retard, threatening you, goading you on the street?

Why didn't you do something? Turn round and charge him, knock him into next week. You could have you know. In truth, he was nothing but a mouthy little runt. You could have done anything, gone fucking wild, left him battered and bruised. Go round insulting strangers and you're taking a big risk. Don't these people realize that?

Maybe they do. And that's when he would have pulled his knife out, plunged it in without a care. You there fighting with your fists and him stabbing away like nobody's business. Alone on the street, clutching your stomach, blood running through your fingers. Man stabbed. Killed. All you ever hear about.

But what would you care? What have you got to protect now anyway? It's all gone. Disappeared.

But you don't want to hear that, do you? Of course you don't. You'd run a mile rather than hear the truth. Run to the ends of the earth. Head in the sand. A beach somewhere. Black, polluted. Body dead. Writhing with maggots. Fuck's sake. You splash your face with water. Go on, get out of here.

Coffee. Now. You head to the kitchen in your boxers, watching the kettle as it heats. Body exhausted, mind alive. Flashing back to last night's dream. Down in the tracks, running from the trains, the dream relentless, neverending. Maybe it's time you saw the doctor about all this. Take a morning off, a couple hours even. Maybe next week. But so little time. Fuck it anyway. You bring the cup to the bedroom, start to get dressed. Almost toppling as you pull on your trousers and cursing every cunt and bastard to hell. Jesus. Hands shaking as you fix your tie. Fuck this, you bring your coffee out to the cabinet and in goes a measure of vodka, a generous one, because God if you don't calm your nerves you're going to throw something against the wall. Fucking kill somebody. Serious. You can see it. Donaldson at work, nothing ever good enough, jump over the desk, strangle the bastard to death on the floor.

But you've got to cool it. Get a move on. You down the coffee/vodka and collect up everything you need. Check yourself in the hallway mirror, make sure you've got everything, patting yourself down… phone, wallet, fags, keys, check your breath, your armpits, run back to the bathroom, more spray, back to the room, double check. Go on, fuck off, get to work.

You head for the door. And you can forget about drinks with McCluskey and Logan tonight as well - they're earning alot more money than you, in a different league, stop embarrassing yourself. I mean, standing there with a pint in your hand laughing and joking, pretending everything's normal? That's you all over, isn't it. Just not getting it.

Go on, fuck off, get out of here. You move, heading out the door and down the path. And no pubs I mean it, I want you straight home. Me and you, nice little chat. Are you listening to me? Fucking better be. We haven't even scratched the surface yet. Prick. Door slams and you shudder. Up your pace.


Post Office Freeform by H.R. McGonigal

Out in the town today I observe life as we know it as we collectively know it as we cumulatively know it I focus on the men
in the post office in their freshly clean laundered shirts and corduroy pants fresh like only beach town people know it fresh
like salt water and sun and a short haircut and a tan fresh like weekends at the beach all your life all your small town life
and the smell of the clothes and the laundry you wear is fresh fresh fresh but the woman behind me in line is a stain is a
scourge is a blight is not one of you she keeps barging through the silence with her terror she talks post office trivialities a
Quasimodo short and hunched like a witch like a post office witch she mumbles to herself, Oh that's a mighty big package
and Oh that's a mighty excited little youngster and she stands so close she is my Quasimodo shadow so close that her
purse swings and hits and caresses the back of my knee and I wonder what odd spirit is this amongst all this white
freshness all this superb freshness and the song on the radio says, What a wonderful world this would be, what a glorious
time to be free
and that makes a lot of sense to me those words sure do that makes a lot of sense to me.

Your Health, The Musk Bag by Ben Myers

(Taken from 'Spam: Email-Inspired' Poems' by Ben Myers, published by Blackheath Books)

your neighbours lost their alarm clock today
your neighbours lost that fat today.

many nice things suck
yet you inherited a small dick from your father
the fountain of sperm

one good turn
gets most of the blankets
but your muscles are nothing
if you can't show them off

ever stop to think and forget to start again?

Camping In The Underground by Suzy Devere

I was a thousand miles away from home, and you, and tigers. We’d never been
apart. We’d never been together. We’d never been at all, but there was
something angry on the subway floor that let me know the weather was gunna
change from the center up; something burning down there that seemed hotter.
Waxen sanity melting, I began to question what seemed to me unknowable
things, like the exact location of the sun (maybe beneath instead of above?
maybe Heaven’s hot? Hell weightless, cool and breezy?)…

then my mouth opened and I heard an echo of myself as I yelled out at an
imaginary you across the tracks:

“MY GOD, IT HAS COME OVER ME!
I want desperately to mark you!

–AND YOU KNOW WHO YOU ARE!–”
(i yelled this as an aside, aimed straight
at the Pakistani subway vendor, saw his lips
mouth a reply of “what the fuck?”
so went on even louder)

“MAYBE YOU CAN’T HEAR ME!” (and then I turned my head
and settled my lunatic stink eye on a
helpless looking lady in a Mary Poppins hat)

“I said I want to piss on you like a feral cat!
to take you in with one deep and catastrophic breath!
a tectonic breath that snaps the plates beneath us both
and brings us shaking and gasping
to the endlessness of fucking!
to the endlessness of sex, of making love, of colour!

my God, fucking endlessness…

no delineation
forwards or back
up or down
i want you without anything imaginary between us!
or real around us!
i will be your
second skin!”

And then, just as it came, you can bet it left. Silent, this time with my cheek
pressed against the dirty subway tile, a new sensation of bugs made me
queesy. I could feel their myriads of centipede feet crawling into the knots of
my newly matted hair.

Machinations of an approaching train; drugged double vision and feet shuffling
quickly by, my head rang with dissonance. Threads of messy sound wrapped
around me like yards of stretched out gum. Did you know people’s shoes make
melodies that don’t always match their ankles?

Then I wondered if I’d said any of this aloud, any of it at all? Not caring either
way, I decided to close my eyes and go back to sleep. I slept badly until i heard
the glorious “ping” of coins falling into the empty can I’d set by my head; “ping,”
and a swig, and back down I lay to lure the luxuries of dream.

The Curse Of The Ages by Mike Meraz

get ready for heartbreak
cause here she comes
bending down
ordering a sandwich
leaning over a shopping cart
glancing to the left
glancing to the right
all those wonderful things she does
(how can any girl be that pretty?)
I stand pretending not to care
I have seen her before
and her smile made my last four years
but now it’s just plain cruel
for that is all she gives me
or will ever give me
I wave hoping to get her attention
"how are you?" I say
"good" she replies as she glances away
(polite disinterest)
I walk away hating she is not mine
but some other guys
who is probably as comfortable around her
as he is with his own mother
but as for me
my heart is caught in my throat
all the blood in my body
is holding a five minute meeting in my face
there is nothing I can do about it.

the curse of the ages:

wanting something so much
it makes you unable to have it.

MONEY SHOTS by Richard Kovitch

She still has the tape. She wrote this week to say she still watches it. I didn't reply. There's nothing left to say and communication will
simply encourage her to contact me again. She isn't the sort of person you'd want to give false hope to. I've seen her flip out at the
smallest things. She'd confront complete strangers without a moment's hesitation. She attacked a guy in a bar once without provocation.
Something inside her was broken.

I never had a copy of the tape and I only watched it once. It was pretty raw. Handheld flickers of flesh and linen. It felt right at the time.
Hotels have that effect on me, encourage me to shut reality out, indulge a few fantasies. But like so much excess it hollowed me out, left
me reeling when the end days came. I remember them well. I left her screaming bloody insults in the street. I stopped calling. Eventually,
so did she. A tremendous weight lifted. I could breathe again. I moved on.

I knew she'd made other tapes with different men because she showed them to me. She filmed everything, obsessively documenting her
life in motion and sound. It proved to her life was happening. She kept a diary in which she wrote up the intimate details of her conquests.
I flicked through it once. It didn't feel right. Bad grammar, bad karma. I jumped ship before my own write up. Never read your reviews.

How strange that nearly three years later, without warning, she texts to tell me she still has the tape and that she still watches it. There
were no other details. That was all. I didn't know what to make of it. She had no claim on me, and yet I still served her. I couldn't wriggle
free, imprisoned forever in pixels and sound. How could she bare to watch someone fuck her who wouldn't even return her calls?

That evening, on the day her text found me, I was lying on the mattress with my girlfriend. Staring at the ceiling, watching the paint peel,
I prayed the message from yesteryear was a one-off, sent in a depressing stupor simply for the hell of it. But I couldn't be certain, and it
was starting to eat away at me. I had a horrible feeling the past was beginning to catch up with me, and as usual, there was no way I
could stop it.

Written On A Napkin In A Dive Bar While Blacked Out by Rob Plath

birth is
a sadistic
mechanic
who built
pissing-shitting
lying-raping
killing-dying
skin machines
& sent them out
to do 360's
over & over
ripping up
the beautiful
inanimate
wilderness
of heaven
w/their vicious
animate
fleshy wheels

anniversary of yr death by Wolfgang Carstens

today is the anniversary
of yr death
it's been seven years
without you

i talk about you often
telling stories about
how you earned yr nickname
"lucky"
how you cheated death
at least a dozen times
triumphant w/ yr bloody
fuck you finger

not that last time though
i try to put myself
in yr shoes but cannot
walk that mile
cannot begin to imagine
the terror you experienced
in yr last hour

when news of yr death
reached us we learned that
you were working
in the wild woods of BC
& that one night
after a hard day's work
you stepped behind yr trailer
to take a piss
that's when the bear
grabbed you
dragged you off screaming
into the woods
yr co-workers following
yr screams found you half-eaten
& chased the bear off
w/ shovels

they carried you back to camp
laid you in front of the fire
phoned 911 & waited
for the helicopter to arrive
busy trying to stop buckets
of blood escaping yr body
consoling you
when the bear returned
& dragged you off
they said that yr screaming
lasted long after
you disappeared
into those wild woods

there are pictures of you
on my walls but i
don't need them as reminders
b/c every time i look
at my son i am reminded
of you
he was not named after you
but rather b/c of you
b/c of the way you lived
each moment as though
it were yr last
the anniversary of yr death

my son, Behr, turned seven
this year
he is a symbol of yr strength
of yr perseverance
of yr defiant middle finger
of the tremendous force
required to end yr lucky streak
& drag you off into those wild, wild woods

The Orgy by Joseph Ridgwell

I was in a London nightclub, drinking champagne and popping the odd pill. I’d
long ago lost the people I’d originally gone out with, and some ed-up and coked
up posh bird had strangely latched herself onto me. She had a St Paul’s school
for Girl’s accent and was obviously up for a bit of rough. Her name was Isabella
and she was blonde and slim, with nice tits, but totally out of it. It was New Years
Eve.
After intro’s we brought a bottle of champagne and retired to a chill out area.
‘The way to understand the personality of a guy is to check out his wallet,’
whispered Isabella in my ear at some point
‘What, like how much money he’s got inside?’
‘No, read his supermarket receipts.’
‘What if he hasn’t got any?’
‘Then the guys a freak and you have to walk away.’
Oddly, I wondered if there was a supermarket receipt in my wallet.
I French-kissed the girl for a while, but my thoughts kept spinning off into a
thousand different directions, supermarket receipts, supermarket receipts, how
long can a dolphin survive out of water, do astronauts shit into space?
Then Isabella pulled her head away. I was glad because she slobbered
somewhat, and I felt like I was getting a rash around my lips. I sipped some more
champagne, straight from the bottle and then burped. Isabella twisted a lock of
her long blonde hair around a finger and then went bossed-eyed,
‘Do you have a supermarket receipt?’
This posh tart was starting to freak me out, but I went along with the nuttiness.
I pulled out my wallet and fumbled around for a shopping receipt. I found one,
Tesco’s. Isabella snatched the strip of paper from my hand, rather rudely, and
read it avidly. Then she began making some strange clucking sounds, along with
lots of interjections, you know like, ah, oh, erm, yes, etc.
‘What?’ I asked.
Isabella looked up, ‘There’s not much food on this list is there?’
I grabbed the receipt. She was right, there wasn’t much food, it was mostly
alcohol, beer, wine, whiskey, and a bottle of Kaluha because I like to have a
large Kaluha and milk before going to bed each night.
‘I’m not a big eater,’ I said by way of explanation.
‘No, no, you are not, listen what are you doing later?’
I wasn’t doing anything later, aside from crashing out and trying to forget how
much money I’d spent on another wanky NYE, ‘Nothing, why?’
Isabella looked me up and down and then kissed me somewhat wildly, still
slobbering. I pulled away and wiped my mouth with the back of my hand. Then
Isabella grabbed one of my hands, the drools free one, and pressed it tightly,
‘Listen, some friends of ours are having a party, it should be interesting, would
you like to come as my guest?’
I rubbed my beard thoughtfully. ‘Ok,’ I said simply.
Outside the club the erratic Isabella led me to a black BMW convertible parked
on a double yellow line,
‘You’re not going to drive are ya?’ I queried.
Isabella handed me an electronic fob, ‘No, you are,’ she said with a
giggle, a giggle that instantly irritated me. So this is how it works? This is how these rich
bitches fuck you over. I was at least ten or twenty times over the legal drink drive
limit, with seven points already on my license. If caught driving under the
influence, it would be an immediate ban, hefty fine, and maybe even a custodial
sentence. Taking these factors into consideration I thought it prudent to suggest
an alternative, ‘What about a cab?’
Isabella leaned real close to me and rubbed a thigh against mine, ‘Oh darling
don’t be silly, it’s only around the corner.’
With the thigh rubbing and darling thing going on, I felt a stirring in my groin
region, and knew I was doomed. ‘Ok let’s go, but it better not be far, and let me
know if I start weaving.’
We drove slowly along empty early morning New Year’s Day streets. A fine
drizzle was falling, and everything seemed blurred, lights, reflections, etc. I was
hunched over the wheel trying to concentrate, while Isabella rambled on about
whose party it was, who would be there, and snorting coke every five seconds.
Apparently it was some city whiz kid millionaire, but I wasn’t really paying
attention, it was taking all my powers of concentration just to drive straight.
Eventually we pulled into the complex of some brand new riverside apartments.
These places went for over a million each, but they were bland, badly
constructed, and devoid of any character. It could’ve been any apartments, in
any city, in any country, in any world.
A tall black guy, who vaguely resembled Will Smith, answered the door.
Isabella was all kisses and hugs, why I just stood there like a plank,
‘Who is this?’ Asked Will in a strong African accent.
I held out a hand, ‘I’m Joseph Ridgwell, underground writer and minor poet, now
where’s the beers?’
The black guy shook my hand weakly, ‘Hi, I’m Jeremiah, and erm there’s
refreshments in the kitchen.’
I strode ahead, but behind me I heard Jeremiah whisper to Isabella, ‘Oh my
god Izzy, where the fuck did you find him?’
Immediately I wished a cancer on the African prick, but forget about that as soon
as I walked into the living room.
The living room was huge and done out in the minimalist style. There was a
Rothko and a Warhol hanging on the walls, they looked like originals, but I was
distracted by a small crowd of people gathered around a white fur rug. They all
appeared to be watching something. I edged closer, barging two men out of the
way in the process. Then I nearly fainted at the scene that confronted me. Jesus
Christ, an Asian girl and a white man were stark naked and making love right
there in front of everyone. I watched voyeur style for a while, but soon got bored
and then realised I didn’t have a drink.
I looked around for Isabella and found her in the arms of the African. She was
slobbering all over him like she had been with me in the club. Everywhere I
looked couples were getting off with each other, kissing, blow jobs, doggy-style,
etc. I’d walked into a full blown orgy, but something about the whole set up didn’t
seem right, and I felt my stomach turn.
I poked Isabella in the side until she stopped kissing Will Smith and looked at
me,
‘What?’ She demanded.
I felt like giving her a slap, but controlled myself masterfully, ‘Is it ok to get myself
a beer?’
Isabella looked at me like I was a minor inconvenience, ‘Of course it is you’re my
guest, now run along.’
Red and green lights flashed before my eyes, ‘Anyone else want one, what about
you Jerry?’
Jeremiah looked at me in mild amusement, ‘Did you just call me Jerry?’
Now I was properly pissed off, ‘Yeah, that’s your fucking name ain’t it?’
Isabella pulled a face, ‘Easy tiger, drinks, I mean beers are in the kitchen.’
I strolled to the kitchen in a huff. It looked like I wasn’t going to get a shag with
Isabella and now I was stuck in some rich cunts apartment on the other side of
London, with an orgy taking place. Bollocks, just my luck. In the kitchen were a
group of coke heads. I edged past them and opened the fridge door and grabbed
a cold beer. The cokeheads didn’t acknowledge me in anyway.
With beer in hand, I strolled around the massive apartment. Nobody took any
notice of me; it was like I was invisible, not the first time this has happened in my
life. The sex show was still going on in the living room, and couples were still
going at it in full view, in various nooks and darkened corners. Most of the
women looked like prostitutes, high-class ones, but still brasses. Terrible rap
music was playing on an impressive Bang & Olufsen stereo.
Then suddenly it dawned on me, they were all prostitutes, they had to be.
Suddenly everything clicked into place. The millionaire had hired them all to
entertain his guests, his male guests.
I sat down on a settee and smoked a cigarette. But why had Isabella invited
me and was she a brass? It was odds on that she were. Well, prostitution was
just another form of employment, but it seemed strange for such a pretty and
privileged girl to be on the game, but then I guess no rich man would want pay to
fuck an ugly. Suddenly the night seemed to becoming a very weird one.
Then I thought about my life and all the strange unconnected things that
happened in it. For some reason weird shit was always happening to me. I mean
not all the time, but more than normal. I wondered if it was my abnormal
personality, or whether some unseen force was making it happen to me, to give
me material for my writing. No, that was crazy; it had to be down to me.
I sat there for a while observing the scene and wondering if I could use the
experience and turn it into literature. Somehow I doubted it; it all seemed so
contrived, lacking in spontaneity and ultimately soulless. I drank another beer
and then saw Isabella disappear into one of the master bedrooms with Jerry. I
felt low and blue. Outside the first light of dawn had already begun to illuminate
the eastern sky, a smudge of pink on the horizon.
When I saw some partygoers shooting up I decided it was time to make a
move. I didn’t say goodbye and nobody saw me leave. On the way out I saw a
pair of gold cufflinks on a side table, and without thinking I picked them and
dropped them into my pocket. I’m not a thief, but I took them as a memento,
something solid to prove I hadn’t imagined the whole episode.
I walked along the embankment for a goodly while. At Westminster I stopped
at gazed at the river Thames gliding past, the dirty brown water sparkling in the
early morning sunshine. I thought about telling my friends what had happened
and seeing the disbelief appearing in their eyes, but when you think about it
anything can happen on a night out, nothing normally does, but the possibilities
are endless.
Then, for a split second, I thought about jumping in the river, but the water
looked very cold, too, too cold. Eventually the suicide thoughts passed and I
walked along in yellow sunshine. It was New Year’s Day and I was alive.

HELLO OLD MOVIE by Ford Dagenham

hello old movie
I tell you,
I am tired
tired from the machetes and fire
and mornings dark as dawn

old movie,
I spent my last coppers in the cornershop
on eggs and on bread
heavy in inaccurate baggies
I handed them over
then
shuffled back down the hill

so, hello old movie,
you are not so old
it is me, old movie,
that time treads on with tiny feet
old movie,
I drank a monstrous coffee
and I shake now and sweat, cold
old movie, it was black as a winter garden

hello old movie,
I've the end of a bottle to share with you
end of a bottle, times only neighbour
and you old movie,
movie from the 90s, of yesterdays hype
movie I find once a year
with music
reaction shots
and technology
old sci-fi movie,
you are magnificent,
a magnificent waste of time
identical reels I watch while I dream
dreaming of other magnificent things
like lives soft flesh,
held real inside delicate straps

Chris McCandless. by Jay-James May

Everything
About Icarus
Is
A lie.

He never
Flew too high
Burning
His wings.

He
Died in the
Back of a bus
Alone and smiling.

He smiled
And his teeth were yellow.
He laughed
And we all laughed too.

Found Poems by Karl Koweski

I’m sitting at the picnic table
enjoying twenty minutes outdoor time
I’m allotted every twelve hour factory shift

I amuse myself by flicking away
ants scouting for morsels of food
to carry back to their queen

about the time I dispatch the last drone
Randy the programmer steps outside
lights a cigarette and says
"hey, Karl, I was just cleaning
my desk and I found your book,
the one you gave Sarah, she let me read."

"oh yeah?" I vaguely remember
Sarah buying my first poetry chapbook
several years ago, one of the few
I managed to sell of that batch

"it’s the one you signed
‘To Sarah, with all my love’"

Randy stands there, hands on hips,
cigarette nestled beneath that
god awful Tom Selleck mustache
Sarah finds so adorable

he knows he’s been fucking Sarah
a lot longer than
she hasn’t been fucking me

"well, Randy I was gonna write
‘To Sarah, thanks for all the blow jobs’
but it didn’t feel quite appropriate
for a chapbook dedication, you know,
but go ahead and keep it
she paid for it"

"no, I ain’t got no need for it
fucking poems don’t even rhyme, anyway"

FOR THOSE SLOWLY DYING by C. Allen Rearick

"you can watch the ones who
didn't move fast enough
they are dying
& they are called Poets"
- d.a. levy

The winter winds are late
and unforgiving.

The birds for the most part
have flown south
in search of warmth
and survival.

A few have stayed behind
to brave the bitter winds
of death.

I smoke a cigar
with nothing else
to do but watch them.

Perched on stark black
telephone lines,
they will slowly begin to die.

The wind kicks around.
I curl up my coat's collar,
flick my cigar butt to the ground
and the birds take flight.

It's here, where
the sky swallows motion,
and loose feathers
quiet lightly in the air,
I know, despite their
cold indifference,
they are the words
of desperate poets,

born free, but
long ago forgotten,
left behind, homeless in a world
without a
care.

The Hero Inside by Maria Gornell

He says they’re all pretenders
They all lie,
So he mounts them like a beast
Releasing his seed
Unconsciously hoping
For a miracle child?

I say fuck weekend
Wonder boys hissing
Down my ear
Metaphors of lost love
Needy childhood eyes.
Demanding I be grateful
For a quick thrust or
Suckling on my nipple
Hard.

He says be grateful
For small mercy’s,
One night stands
With Bukowski wannabe’s
Who I’ll be able to
Write about
As soon as he’s died,
Pissed up apathy
Riding the underground
Searching aimlessly
For women
who always fall short.

I reply
With woman’s needy cries
That I know will be ignored
I’m supposed to be strong
Obsessed with flesh,
Staring at men crotches
With a pussy on fire
Realistic about impossibilities
Of finding true love,
Whipping myself dry
With home truth’s
And lies..

He’s dead to me
I’m numb to him,
His seed failing to
Awaken my passion,
My heart failing to
Reach his mind,
We are sordid
Melancholy beings,
One taking refuge
In bottles
And empty soulless fucks,
The other
Inhaling life,
High hopes
Finally alive
Yet
Not knowing
If she can ever find
The hero that lies
Within..

Two Poems by Kevin M. Hibshman

Neurotic girl.
Quixotic girl.
Whirlpool girl who never stops drowning.

Material girl.
Ethereal girl.
Volcano virgin yet no Joan of Arc.

Broken girl.
Token girl.
Terminally sad.
Extremely sedated.

Lithium girl.
Xanax girl.
Glazed over in a pharmaceutical haze.

Sepia girl.
Monochrome girl.
Where have all the colors gone?

Blunted girl.
Stunted girl.
How it hurts my heart seeing you this way.


Are You Prepared? (Project Blue Beam)

They are invading.
Intersection of dead roads.
Litigation with the angels aimed at your intelligence, your imagination.
It's not a ghost in the attic or a light in the basement.
The closing of space, sensory deprivation until one is numb and unable
to question
or form an equation.

Passing Through My Culture by Kevin Barcellos

The Stockton cinco de mayo
parade was held downtown
on Saturday May sixth.
There were approximately
five square blocks
closed to vehicle traffic.
Walking through the streets
I passed beautiful hispanic
women pushing strollers. I
passed toddlers in cowboy
boots waving miniature
flags. I passed intersections
filled with crowded smiles
and joyous laughter. I passed
side streets where children
were playing soccer. And
I passed the starting point
of the parade,
all while trying to catch
the ten-thirty showing
of Spider-Man 3 at
the Regal Cinema 16.

Left by Rose Morales

I left it at home,
(at least A home)
a place I had passed
from time to time,
marveling at the
emptiness
and stark bleakness
of the furniture
inside.

I thought I was safe,
(It seemed so safe)
a tomb where no one
slept or stirred.
Hermetically sealed
with leaded windows
armed against the onslaught
of inconvenient truths.

I slumbered long
(So dreamless, no sound, no song)
in peaceful solitude
in my own souless cell
with priceless paintings
to show taste,
and the semblence
of life within.

(A life never loved, never lived)

I woke to laughter
and children playing,
mothers calling
in a language
I failed to understand.

Like something feral
seaking nourishment
it crept behind me
just in sight
but out of reach.

Searching out warmth
after cold gray walls;
the heat of secrets burning,
loves forgotten
hatred simmering
in lifeless halls.

(the dead awaken)

Nibbling at the feet
of those who would run,
the past has a curious way
of catching up.

’Mishima’s Suicide’ by Matthew Coleman

At one point in my life I would have written about sex, to focus on the dark shades of sexual perversion. But sex, and its written surface, has receded into the shadows. I have turned my back on it; I have cast it away. It does not reflect or resound within me anymore.

We are all made up of parts, a multitude of parts which together create the whole.

The image that I have of it is not real; it is filtered through the lens of cinema, photography and fantasy. The brush of my daydream has painted the fantasy. It is a false image, an unreal one that I've projected inwards, onto the screen of my imagination.

For as long as I can remember I have always dreamed of going to Japan. I have always desired to feel it all about me, to hold it in my gaze and walk its streets, to commit its sights and sounds to memory.

Japan, to me, has swallowed the woman I loved. It is over. When I say that Japan has swallowed the woman I loved I say this with uncertainty, as it is only a possibility. The last time we ever spoke she was heading to Tokyo; to the Tokyo I have dreamed of.

In his story 'The Priest of Shiga Temple and His Love', Yukio Mishima wrote:

By means of microscopic observation and astronomical projection the lotus flower can become the foundation for an entire theory of the universe and an agent whereby we may perceive the Truth. And first we must know that each of the petals has eighty-four thousand veins and that each vein gives eighty-four thousand lights.

Eighty-four thousand.

I think of this number, a large and rounded number. How many buildings in the average block of Tokyo can eighty-four thousand lights be found? So many stories can be told within this block of eighty-four thousand lights. Does the woman I loved gaze at any of these lights as she walks? Did she even make it there?

As I wander Tokyo's streets, following her, I wonder what she would find in Japan, what she would say. If I plunge into my daydream then how many buildings found in a block of eighty-four thousand lights would surround her? What would her story be? If I could create one then could we be together in Tokyo?

It seems, reflecting further, that I did not truly consider Mishima's words, that I gave them only cursory consideration. For the Priest said: each of the petals has eighty-four thousand veins and that each vein gives eighty-four thousand lights. This would mean that each petal has 7,056,000,000 lights. In that case, how many lights does each human being have and, within these lights, can we create a foundation to build a temple of truth from the study of this petal?

Did Mishima, when committing disembowelment during Seppuku, come any closer to perceiving truth beyond the lotus of his being? Did the light of the cosmos swallow his reality as well as my daydream of Japan? Did its bright light wash over the outline of everything, rendering reality as a white space of nothingness? Does the one I love ever look at her hand and daydream of the petals of the lotus flower?

* * *

Yesterday, a dear French friend wrote me this: take care, breathe, for the rest is illusion… That's why we love literature so much, because it is a dance around the nonsense.

Japan is nothing to me. I have never been there and I lack the imagination to answer any of my questions. We are all made up of parts; of a multitude of different parts that make up our whole.

* * *

It was on November 25th, 1970, when Yukio Mishima, after a failed attempt to rouse the army into a coup d'état at Ichigaya Military Base, stood in the office of General Mashita. Mishima removed his jacket and shoes before kneeling upon the red carpet in front of four members of Tatenokai, his private army comprised mainly of students, as well as the General, who had been tied to his chair. Morita, who stood behind Mishima with his sword, had been ordered to decapitate him after he had committed Suppuku. Mishima then plunged the short sword into the left side of his abdomen before pulling the blade across his stomach. Morita brought the sword down but missed as Mishima's body jerked forward in pain, where the blade cut across Mishima's back. After numerous failed attempts to remove Mishima's head Furu-Koga, another member of Tatenokai, took the sword from Morita and severed Mishima's head in one decisive action.

The Cure (and The Smiths (but only twice, briefly)) by Pablo Vision

It was more than embarrassing when she found that copy of Straight Men Who Love To Suck Cock. I asked her what part of 'straight men' did she find difficult to understand. But always digging up the past she had to mention the DVD of Shaving Private Ryan's Privates. How was I to know it was that sort of film? I found it prudent not to say that with her short cropped hair and muscular shoulders that she looks somewhat manly from behind, and that anal is more her thing than mine. Don't get me wrong, it is a nice tight fit and what have you, but afterwards the dangling condom, with the stuff on the inside and the stuff on the outside, is a pretty unpleasant sight. In my darkest moments I imagine sending a box of these to her mother. Without is, as always, so much better, but she is not so keen on what she calls the post-fuck oozing. So anyway, determined not to slip into a dark mood, I knew saying nothing at all was for the best. She can't be reasoned with when she gets like that. Far better to let her get over it in her own time, and in her own way.

Her own time turned out to be about three weeks, and her own way was somewhat surprising, and more than a little uncomfortable. But that's women for you. I had done all the rights things, flowers and all that shit. Lots of giving too. And tact. Not once did I explain that the probing and meandering licks of my tongue were more to do with avoiding the little balls of toilet tissue attached to her flaps, than any effort to do what I thought might be pleasing. Better that, though, than when she has used those wipes. The smell and the taste remind me of babies, and that seems an altogether wrong thing to be thinking about when doing that. Really very badly wrong. Jesus-ass-fucking-Christ, I called out when she stuck her finger inside. Her telling me to relax, when all I could think of was that I was going to shit all over the bed, that she should cut her fucking nails, and that Marlon Brando is an absolute fucking bastard. If she hadn't started stroking me with her other hand, I think I might have hit the bloody bitch. So anyway, the feeling of needing a shit subsided - probably just another false alarm - and it started feeling pretty good. And then it was the rabbit. Fucking hell, I can tell you that girth hurts far more than length – it was like she was trying to drive a ten-ton truck up there. She just said I had done turds with greater girth. Not that she watches me shit or anything, but sometimes they just will not go away. Sort of like that whale that got stuck in the Thames. (And that was another time I got in the shit with her, so to speak. Not wanting to leave these beasts swimming around in the bowl, I had put a clear plastic food bag over my hand – like a glove – grabbed the uncooperative turd(s), used my other hand to pull the bag over and inside out, before tying it closed. Must have put about forty of these things in the bin outside, before the day she caught me, red-handed, carrying what looked like goldfish won at the fair. Only with a brown sausage-shaped fish, rather than one that was gold and fish-shaped. Fucking hell, sometimes I wonder why I make any effort at all. If only God had invented men with tits, there wouldn't have to be this unreasonableness to contend with.) So, getting back to the current debacle, after screaming like a stuck pig for a while, again it seemed stupid not to see the thing through. Seemed like the damage had already been done, you know. So she was saying all this stuff about how I liked having a big hard cock up me while this stuff spurts out. But not in the usual way. More smooth rather than all jolty. And it continued to stick up proudly without going down. And the stupid cow saw this as confirmation of some sort of inclination, as she pulled me off once more.

So moving swiftly from the [inconsistently] past tense to the present, here I am, all spent out. Twice [as previously stated]. With this fucking thing stuck up my ass. She tries to take it out – but my sphincter is in no mood at all for allowing the head of the thing to cause that unnatural, and fucking painful, kind of stretching again. Of course I can't go to work with it in. Fuck knows what that would look like. And I don't think they have any special chairs. Even though they have taken to employing all kinds of spazzers there. Some kind of stupid equality thing. But there is no way I can bring myself to have it removed. Not now I know how much it hurts. She says that maybe I could shit it out, when the time comes. And starts going on about how big my turds are again. She's absolutely loving this. Asks me if I want to watch Gaylord Of The Ringpieces while I am waiting. I cautiously try and ease the thing out, but just end up setting off the twisting churning motion inside, and that stupid, almost clockwork-like, noise. This is ridiculous she says, and violently pulls it out. And taking advantage of my painful preoccupation she then puts the fucking thing in my mouth. But (!!!!FUCK!!!!) not before I glance in horror at the little wedge of dark crap caught in the ridge under the head. Consider yourself cured she says before storming out of the room. Something to chew on I suppose…

Eiderdown by Adelle Stripe

Nothing
beats
waking up
with you
on a
sunday morning
buried
underneath
pillows and blankets
my toes
touching
yours

I spend my
whole week
waiting and wishing
for that special
time with you
when pink light
illuminates your
unshaven face
sunken
in my armpit
whispering
“good morning – y’alright?”

I smile and
say yes
because I know
life just
doesn’t get better
than drinking
coffee
and watching
countryfile
with you.

Face To Face by Vic Swan

I see my face in your face
i see my face in the hope and
worried lines that crease
your lips and eyes,
the sparkle in the gleam
of the laugh and glow
of love and loved
and in the
spontaneous combustion
of children playing.
i see my face in weary
torn and sad, the stoop
of burden, the tears
of hopeless,
the hunger unrequited
yearning vagabond heart
of homeless lost souls
and the face of pain.
i know your face
as i know my own
lose and joy
anger and frustration
at injustice and greed
and i see my face in
every face
of our human mirror.
christian, jew, pagan,
muslim, hindu, atheist,
black, white, yellow,
red and brown,
the young and old,
straight and gay mutts
of the universe.
i am an addict,
a felon, a prisoner
an outcast held in
high esteem by my tribe
and see me
in your eyes,
a flawed being
wanting peace, joy
and most of all
love.

The Stomach Is Gone by Frank Reardon

There is not a stomach left
when you feel the city that
is letting you starve. Love
seems like a series of beer
cans and the passion is the
ash from a cigarette on its
brim, lonely and left for the
trash. I've grown to be the
disappointed one and I've
noticed that pain is more than
a set of dizzy spells. It's the
command center to the lunatic
it's the dead hookers mascara
smudging on the body bag.
The fighters stamina grows weak
he grows far more confused
about how and when, he tries
to stand but falls to the canvas,
breathing heavy with nothing
left but hunger, rage and anguish.
I've got this cloud its full name
is The Depraved Beast, He mocks
me and tests me, he says he's
trying to make me a man, lately
I've been hiding in the bushes
with a knife, reality is too fucking
much.

Guinness by Christopher Nosnibor

"Fuckin' 'ell, did you hear her goin' on the other day about how she used to wet the bed up to when she was seventeen or eighteen? That's pretty fucked up. I mean, I can't remember pissin' the bed ever, so I must've stopped when I was a young nipper, y'know, like normal, four or summat.

"Mind you, I've got a mate who shits the bed every time he gets pissed. Whenever he goes out drinking, he just fuckin' shits the bed. I mean, you just wouldn't. I don't know what I'd do if that was me. Imagine pullin' some bird down the club an' 'avin' to explain that to in the morning. Be like in Trainspotting. 'E Imac'd 'is arse once, too, said it made his arsehole really sweaty, like, an' every time 'e farted he thought 'e'd shat 'imsen. Fuckin' lunatic.

"I've only shat mesen a couplea times, that I can remember, like, y'know, recently I mean. Last Friday was I was off I 'ad the worst fuckin' diarrhoea. I was 'ammered an' 'ad a KFC on the way 'ome. I was starvin' and got meself a family bucket and just chowed it all down and I reckon that's what did it. I got up ok an' I was all ready for work – would've been the earliest I'd made it in in ages, too – and then just as I was ready to go it just bubbled out an' I thought, 'Shit. For fuck's sake.'

"The other time I'd been on the Guinness. Really canin' it, 'y'know. Y'know 'ow it is after a few too many points o' Guinness. Guinness makes yer shit. So I'd 'ad a few and turned up at the Cellars and was just desperate fer a bab. I mean I was proper pissed already like an' was just goin' fer the bogs an' I farted an' I thought 'Oh, hello,' an' I just knew I'd followed through.

"So I got into the cubicle an' pulled me trousers an' that down, an' it was a right fuckin' mess, an' so I de-kegged an' there was no fuckin' bog roll so I just had to wipe round a bit after I'd taken a shit an' then drop me boxers down the side o' the bog.

"It was the only time I've had to seriously throw some bird off, that was well up ferrit an' I'd not o' minded hangin' out the backa, y'know. I 'ad to come up with some excuse, an' it was the worst excuse ever. I told her I was shy! Me, fuckin' shy!

"But I'd pulled this lass an' we'd gone back to mine an' she was well up ferrit, an' she was tryin' t' pull me fuckin' trousers down an' tryin' ter suck me off, like, y'know, an' I was thinkin' 'Nooo, gerroff! I might have flakes o' shit 'n' that all in me trews,' an' I didn't know what to say so I'm pullin' away and I'm there pushin' 'er off an' she was pullin' me kecks down an' grabbin' at ma knob an' that an' she said, 'What's wrong?'

"An' I was like, 'Shit,' I don't know what to say, an' completely stuck for somethin' I say, 'Oh, I'm shy!' Fuckin' nuts, can you believe it? Yeah, so I sad, 'Oh, I'm really shy,' cause I couldn't exactly say 'I shat mesen,' y'know?

"Don't go writin' that into one of your stories.... daagh, fuck it, no fucker'd ever believe it anyway..."

Everything I Ever Needed To Know by Richard Kovitch

It was a nothing day, and a P.E class was drawing to a close. Our teacher had drop kicked a rugby ball on the school field, then declared that whoever got to the ball first would win a prize. Eager to win I, along with my classmates, sprinted in the direction of the ball. We didn't know what the prize would be and we didn't care. At that age you don't question things, you simply exist in the moment however pointless it is. For a lot of people this never changes.

I got there first and seized the ball. An excitement swelled inside me. I felt good. The kid that arrived second was from the wrong side of town. There was something animal about him, something broken. He demanded I give him the ball. I refused, so he launched at me and bit my left cheek so fucking hard he drew blood, his teeth scarring my face. Distraught I relinquished the ball. Whilst I stood there in shock, tears streaming down my face, he returned to the teacher and received the prize.

Everything I ever needed to know about the essential nature of life I'd learnt by 6.

Someone Is Pitching My Heart Against A Brick Wall by Rob Plath

as a boy i loved
getting my baseball glove
& ball & going by myself
& pitching the ball
at the spray painted
strike zone on the brick wall
in the empty school yard
at 38 that boy feels like a ghost now
but he still exists
only his young wild arm
is pitching my heart against
the wall
it comes back to him in three
or four bounces
& he slams it into the webbing
of his glove a couple of times
& then releases it again & again
the stitching of my heart
loosening a little more w/every pitch
in the spectral schoolyard
of my mind

It Is No Longer Rebellious To Be Drunk by Mike Meraz

the best
of us
get to work
sober
now

the least
of us
on pills
or booze

there is so
much
heartache
now
in the most
mundane places

you don't
know
who you are
talking to

a pill
a pamphlet
a joint
a line of coke

no one
is hardly
themselves
anymore.

Stream by H. R. McGonigal

Crooked elbow turning point bent corner off ramp roadway forest flow tall trees on her knees significant heard not authored
turn pike symbol symptom the gas flame makes a constant hiss a constant breathing sound sometimes the wind will flicker it
minstrel crown reference nostalgia rain systematic continue conflagration separate dilate fortune the beauty that sleeps
attune saint Paul country music on the car radio listen to the one that matters clean the debris that blocks the message
follow through elephants clamor light dances across the material world like an anthropomorphic entity over the water
crowds of people robust round right receive bird song a whistle through the memory of time through dimensions that unify
past present and future car engine diesel rumble like gravel in the lungs like automobile pneumonia reminder of civilization
Nicola Tesla dharma bell remember that coughing unwell society be grateful for their support be loving be sharing but all this
do gooding is done not from the outside-in rather from the inside-out and realize this no separation first then all the acts
will be natural now each sound has a direct intent into the one cause receive the intent the support of the intent the one voice only one
thing on its mind; awaken, awaken, awaken, awaken.

MAGIC (a tiny fairy tale) by Suzy Devere

She was to be his concubine; mistress clothing calling to her from a
dressing chair; the town whispering in wait for its newest dark sweet.
The finery, the wine, and small sparkly things that suggest one is well-
cared for adding up about her: Italian linens, silks, cashmeres, and
feathers in piles around her nervous feet; never standing too long in one
place; oh if she stopped he'd want a kiss. No slowing down. Forward and
back. Forward, side to side. A bad ballerina. An unpleasant dance. And if
you'd seen it, you'd have felt a twinge of guilt for watching, maybe even
had a bit of sadness for a girl so lost. But then it would have been of no
surprise to you what came next...

One day, while all were out in the town, making preparations for a buona
festa, she fled naked, the look of a thousand years in her eyes.

Now she is trapped only by her loneliness.

The Children’s Tower by Mikael Covey

Lying there in the dark, on the warm sheets of the bed, naked in cool beaded sweat.
Feeling soft fulfilled bereft of emptiness. She, lying there on the moist sheets. Lying
naked on her back, looking at him. Feeling hot inside and cool in the breeze of hot
summer night. Taught flat stomach and firm ripe flesh of young girl, wet and burning
inside.

Looking at him sitting on the edge of the bed in the black night. Sitting there naked
facing the window, smoking now. Both of them breathing normal now, easy peaceful.
Full of themselves and each other. The fullness of one emptying into the other,
draining away worry that was there before now. Washed away.

The comforting smell of cigarette smoke in the room, seeing his face without seeing
through the dark, knowing his looks in her mind. The night is young, the world is
young and belonging to them. Everyone else a foreigner in their world.

Soft blue light glowing from the stereo receiver without sound. Just to have glowing
light in the dark little room. In the tower of the old mansion turned seedy apartment
house. Their little nest on top the world. So small the room there isn’t even a chair,
just bed against the railing where stairs lead down below them to where the rest of
the world lives.

The four, ten-foot high windows in the four walls of the little tower room. The only
breeze in hot summer night comes into these open windows and passes through
their little room pitch black in the night, so gently you barely feel it. Only the
coolness where everything else is hot and stale and unalive.

He, sitting there at the window seeing her without seeing, knowing she is there from
sound of her voice, outline of her shadow, warmth of her young girl body.

“What is it that people do?” he asks.

Him from the poor family of free-thinkers, she from middle-class who try not to
wonder about things like that. It fascinates her, attracts her to him, someone so
young with such thoughts as these. Thoughts she has never imagined before.

“They screw” she says, giggling the giddiness of abandonment.

Bangkok by Steven Wheeler

I awake to the hum of the air conditioner vibrating a fast, funk beat, green curtains opened a foot in the middle. There are white clouds on a powder blue sky, sunshine on the palms and slanted roofs. I slumber for twenty more minutes. Groping and squinting, I light the first cigarette of the day, lay back to smoke it.

White sheets outline the pleasant hump of Joyce’s hips in the bed across the room. Henry Miller’s Plexus lays open at my feet. I try to recall the last bit I read, but several incidents jumble together, it’s not clear.

The small speaker in the wall begins to crackle. An old rock tune wheezes through. The Malaysia Hotel, Bangkok, Thailand.

We have the steaming chaos of Bangkok to travel through, to the photo shops of the Siam Centre, then the Indonesian Consulate, for visas. We need passports, return tickets, whatever other paper we have to pay for. Old Siam? The mysterious East? Bangkok is another Tokyo or Hong Kong, another filthy, polluted, high speed, hot city. Bangkok is downright depressing.

I rise, run to the shower. The tepid water on my skin diverts me.

We smoke a joint of Buddha weed, I eat the yogurt Joyce has gone out for earlier, we gather up all the necessary papers.

Our packs sit on the floor beside the dresser.

In this room there are two single beds, a hand shower attached to the bathtub. I got a four inch cockroach in the bathroom with the flick of a towel rolled up. The room is air conditioned by a central unit that services the whole building, at times. It all costs two dollars American per night. Long before there were guide books on the subject, before Rolling Stone magazine ever suspected, restless western souls explored the vast continent of Asia. The first wanderers grew to gigantic hordes of travellers. Political policies and wars set down the route: from Europe to India, from India to Bangkok, from Bangkok to Australia or America. All of the modern roads of discovery converged on Bangkok.

In every city, in every country, there are hostels, hotels, guest houses, with cheap rates, basic accommodations, services for travellers. By word of mouth, later through travel guides, the locations of these places are revealed.

The Malaysia Hotel in Bangkok is a venerable institution on the trail around the world. Perhaps, she’s the grandmother of them all. The Malaysia is a haven of sleazy, relaxed decadence for westerners.

She’s a modern hotel, by sixties standards. She rises six stories with a grimy little swimming pool, a cafeteria and bar. The loud juke box is full of rock. There is one blues song. The lobby contains a travel agent and a second hand book shop where you can trade two of your pocket books for one of theirs. On the notice board, by the front door, we read, ‘The Dutch girls I met in Burma, I am in room 202, would like to see you again, Rob’ and ‘Don’t pick up Thai chick outside of the Pussycat Cabaret - she’s a rip off. My friend and I lost $2,000 and got badly beaten up by the guys she works with. She offers massage and takes you to Oriental Hotel on Rama 5. The police won’t do a thing - beware!’ under which is written, in another hand, ‘Too bad, you ole smoothy’. There is an abundance of drugs, prostitutes and opportunities to encounter Bangkok’s thriving underworld at the Malaysia.

We were told of the Malaysia in Seoul, getting drunk on Soju and eating bulgogi beef with an American couple. A veterinarian and his wife who were heading home after doing the circuit from Europe to Asia, told us, "Everybody stays at the Malaysia" We make our way across the street to the Blue Fox. I begin to sweat. My body is adapting to the tropics. It’s affecting my mind. I think evil, violent thoughts in Bangkok. I wake up from dreams of being attacked in the street by Thais. Lots of travellers go through it. I think of the marine I talked to, who was raised in Connecticut, posted to the Philippines. He went through a painful sickness which acclimatized him to the heat. When he returned to the States, he couldn’t stand the cold.

The physical effort of a Canadian or a northern dweller confronting the heat must be more strenuous than that of a person from the south. Coldness is a way of life in Canada. Heat is a vacation.

All I thought about for the past three winters, working in the cold, was escaping to a hot climate. Now I was suffering because of the heat. It is cool and dark in the Blue Fox Bar, where we find an empty booth, order breakfast.

The owner is a pleasant looking Thai who works behind the bar in blue jeans. He smiles, says hello. His two pretty daughters are serving beer to a few die hard Australians at the bar.

We smoke cigarettes, drink strong coffee while the loud juke box kicks out an endless stream of Beatles, Stones and Bad Company. The daughters only understand a few words on the menu, but mouth each word of the rock songs.

The regular westerners are there every morning at quiet tables, with cigarettes and coffee. Some are guests of the Malaysia, some from the surrounding hotels. The same westerners spend most of their time in the Blue Fox. As the day progresses they switch from coffee to beer or liquor. Most can be found there around closing time. One guy looks like a French gangster. He is dressed in a tight, black T - shirt with tattoos on his skinny, big veined arms. He wears dark shades, has slicked back, greasy hair with a small, black moustache. Joyce checks out his jewelery, watches him deal. A pretty, young Thai girl hangs by his side. She disappears, returns with strangers with whom he converses. Sometimes he slips outside with them, to do his deal. He is sitting with two large Americans who look like they just got out of the service. All three stare at the cartoons on the colour tv at the end of the bar. When breakfast is finished, we can’t put it off any longer. We plunge into the streets of Bangkok.

It’s hard to deal with the unrelenting discomfort of a place like Bangkok. The streets are jammed with traffic which raises an unbearable decibel level of sound. There are the noises of broken mufflers on buses, motorbikes, trishaws, shouts over them. The sound hits you like a wall. We cringe at the loudness on the sidewalks.

On the main streets the air is blue from exhaust fumes. Tension stalks the faces on busy, steaming corners in the heat. The smell, noise and visual spectacle contrast with Buddhist monks who walk around silently, in saffron robes, with empty begging bowls. The population is expected to fill them with food. Everything and everyone is bathed in wet, glaring light. We walk a short distance to Rama 4, one of the main arteries in Bangkok. There’s Rama 1 to Rama 5 all aiming, like spokes in a wheel, for the centre of town. Rama 4 is a wide six lane boulevard, lined by hotels, stores, wots and parks. It gets worse as it gets closer to the centre where it becomes another high speed, raucous, dirty street. We walk the two long blocks of Rama 4, turn left for more long blocks, decide to take a trishaw. The sweat, noise and pollution is overwhelming. The trishaws are the worst polluters but cheap. The buses and trucks are bad, but the trishaws are driven till they drop. Mufflers don’t matter. The smoke from their exhausts ranges from black to sky blue. We flag down a trishaw driven by a tough looking, unshaven Thai, his picture in his i.d. taped to the ceiling. There is a mandatory bargaining - pleading session required before we get in.

He starts high, we start low. He lets us stand, sweating in the heat, drinking in his fumes. He is surviving on the streets of Bangkok. We are haggling over small amounts of money. His trishaw almost doesn’t reach the Siam Centre. He revs the motor all the way. The machine coughs a lot, but makes it. The Siam Centre is a big, air conditioned complex of businesses like American Express, banks and expensive grocery stores. We make for the coolness as fast as we can stagger. We drag ourselves up the stairs, breathe the cool air. We don’t need to come here, but it’s well air conditioned, so we walk around the grocery store, buy some soft drinks. We have to go across the street to one of the small photo shops, to get a dozen pictures each, for the visas.

We drip dry in the cool air, cross the boulevard to the warren of little streets filled with restaurants and shops for tourists. There is a good six story book store there. A spiral staircase winds up the middle through all six. The sidewalks are steps down the hill, between stores and cars. There are turds and gray sludge floating by, in open sewers. The kids swim in the filthy canals. There are thousands of monks in saffron robes, bald men and women who walk around, all day, with begging bowls. It used to be compulsory for young men to become a monk for a year. Now you have a choice between becoming a monk or a soldier. The army is winning. The soldiers look like the best dressed people in Bangkok. The soldiers look clean, healthy, purposeful. The monks live in wots and beg for food. They go out early in the morning, the public fills their bowls.

The crowds consist of thousands of people, oriental with western dress, many very poor people, businessmen, big, rich cars with chauffeurs, ordinary people shopping, groups of guys hanging around, hiding from the glare of the sun.

They aren’t a friendly crowd. The boys in Viet Nam did their r&r in Bangkok, so the Thais know the hustle and con. They aren’t impressed by foreigners. Their national sport is kick boxing. We watched it, like hockey at home, in the Blue Fox, all day Saturdays.

At the Indonesian consulate we buy visas for twenty dollars each. They insist that you buy return tickets from Malaysia to Indonesia. We hit the street again, walk all the way back to the Malaysia, to save money.

I buy cold drinks in the lobby of the hotel before we collapse in the room. The pool scene at the Malaysia is weird. English and Australian guys make fun of Thai girls who withstand everything. The guys drink, put on spectacular diving displays from the railing of the balconies above. The girls stare into space, in silence.

We are stoned on Buddha weed, the whole thing is in slow motion. Bangkok is everything that’s wrong with Asia. While we are in Thailand the police have a feud with the army, three district police chiefs are shot. There are three different guerilla groups in the south, more in the north, mixed with communists, drug lords and the Golden Triangle. Bangkok is the capital of it all, the centre. It tears along at its own breakneck speed. People there are on the edge of hysteria.

We leave on a train which is guarded, near the border of Malaysia, by soldiers with sub machine guns and radios.



Kentish Town Segue. by Jay-James May

He kissed her hard on the lips and fuck, fuck, fuck, fuck, fuck, fuck she said times six, Winona going yes, yes, yes, yes, yes.
And then he woke up.
The girl attached to his shoulder with chewing gum in her hair wasn’t ugly but she was snoring, and to him this was an ugly moment. She was young, this girl, not jailbait, but young enough for him to feel like he should know better. He wanted out but he didn’t want to wake her. He knew she would wake soon enough, that her body would jolt out of that drunken sleep and demand a drink. For him, the beer on the bed-side cabinet would suffice but hardly quench. The room, grand, with tall ceilings, his and her bookcases, a hat rack, half empty - Kentish Town middle-class. The room, half-lit in the morning gloom was warm, although only artificially - it was mid-December. He began to slide his arm out from under her cheek but she snorted, like a pig he thought, and he lay still, frozen, agitated.
He thought about his dream.
Winona Ryder had a new movie out and he was a film journalist attending the premiere. They caught eyes during an interview. He could remember questions like ’have you ever dated a killer?’ and ’would you like to know the easiest way to dispose of a body?’ She gave answers like ’if I could swim in a lake of fire and not burn would you ride tandem with my soul?’ It meant nothing in the dream and nothing now, just words, language absolutely pointless. As with most dreams in which Winona popped up, they found each other in the end cubicle of the ladies toilets. This had been pre-arranged in previous dreams. Winona pinned him against the wall, ripping his shirt off asking, ‘if glitter was black would it still be called glitter? Or would girls go to nightclubs with gloom all over their faces?’ to which he replied ‘did you know that Freud was a cocaine addict? Celine was a Nazi? Have you ever…’
Light now replaced the darkness in the room, softly, a torsion of sun-rays and dust cut through the empty space. He slid his arm, softly, from underneath her neck and, softly, moved out of the room.
The hallway was a white wash of unforgiving light. He moved quickly down the stairs, along the entrance hall and out on to the street, where the light intensified. He thought to himself there must be a limit to the amount of strong light a man can take in a short space of time as he now felt dizzy and sat for a moment on the garden wall of the house with the bedroom with the stuck pig asleep in the master bedroom. Then he thought about the stuck pig waking and moved to a garden wall three doors down.

END.

Words Of Love by Michael Keenaghan

Hello Ruth.

You're surprised, aren't you. Me, putting it in writing. Perhaps you thought I wouldn't contact you at all, I'd stay way, crawl under a rock and die maybe. But come on, you know me, I'm not like that. London might be a big place, easy to disappear in, vanish like a ghost, but let's be realistic now, I'm not going anywhere. I mean, where would I go for a start? There's nothing else out there for me, no other life, you know that.

You're just trying to teach me a lesson. Punish me. And fair enough, I see your point. I was wrong. I admit that, shouldn't have done what I did. Violence is unacceptable, of course it is. I'm not disputing that. But I'm fine now. I've seen to it, I did what you said. Ruth, you were right: I did need help. Stress, my God, it's like a mind-bending drug. But that's sorted now. It was just a blip. I'm not perfect, I admit that, but come on, we're all human, you're not averse to the odd tantrum yourself, we all are. But no, there's no excuses. None at all.

I just want to say sorry. I've had a lot of time to think about it all. Three months now. That one night flashing through my head like a nightmare. That person, Ruth, that monster, it wasn't me. Something clicking in my mind, sending me crazy. Wrong, so wrong. I see you lying there in the state I left you - and I just want to hug you and nurse you and soothe you. Kill the person that did it.

Well, Ruth, listen: I think I finally have. This last week I feel like I've woken up and seen the light. I'm ready to put it all behind me. I think we both should. I'm ready for things to be normal again now. As they were. I mean, of course you're still angry, I understand that. But let's call a truce. No more games. No more sadism, Ruth.

Fuck this. This isn't sounding right. Got to get the words right, tell you how I feel. Can't fuck this up. Because I know what you're doing, Ruth. You're torturing me. That's what you're doing. Your little game. Torture.

But listen. I'm close to you, you know. Even now, so close, sitting in our cafe, that place on Kingsland Road; you know, just around from the flat. Our flat, Ruth. You might be at work now - 1.30pm, definitely - but I still feel close to you. This is our place. Where we used to go. All those Sunday mornings here, having breakfast, reading the papers, no rush, just being together. Then maybe we'd have a browse around Brick Lane, the markets, go to a pub, or who knows, maybe go back home, back to bed, the two of us, together.

That's the way things are meant to be, Ruth. This - life now - it isn't normal. I'm living in a single room, shared bathroom, shared kitchen, hate the place, hate the people. It's nowhere near here but you gave me no time, nothing, it was all I could find. But don't worry, I'm not there much. I've even started taking days off work. Without you I just can't concentrate. They keep calling me in, saying they're concerned, that I've become quiet, remote, telling me they care about me, just want to help me. But I'm not stupid. I know all they care about. Performance. That I'm not buckling down, bringing the clients in. They don't give a fuck about me. I'll be out of there soon, I just know it. Who cares.

But it's all wrong, all so unnatural. Like the world has shifted balance, thrown me aside. Laying out your photographs on the bed each night, making a shrine, masturbating for hours, trying to draw you near, will you to me. It's not normal, Ruth, not normal. It shouldn't be that way. I shouldn't be living like this. Now, for example, hours to kill and I'm waiting for you, waiting for that glimpse. I've started watching you, you know. Did you know that? Every day. Watching you get out of the taxi and walk into the flat.

You don't get the bus anymore. Why not? And you've changed your email, phone number, even changed the locks. Too extreme, Ruth, too extreme. There's no need for that. I hide across in the bushes of the park, or sometimes up close, in the side alley, and I see you, pulling the blinds, see the lights go on and off, see it all. Do you think I enjoy that, Ruth, out there in the cold each evening, on my own, creeping about in the bushes in the shadows like a nonce? Of course I don't. I hate it.

But I can't believe what you're doing, Ruth. Never thought you'd take things this far.

Even to broach the subject fucking disturbs me, makes me want to tell myself it's all a mistake, it isn't true.

Ruth. Listen. I know about him. I've seen him. He visits, two, three times a week, climbs out of a cab, just like you. Or sometimes - and this really gets me - the two of you come out of a cab. Who is this man, Ruth? Do you work with him. Is he a work colleague? But you've changed your workplace too, something else to throw me off, so who knows. Maybe you met him in a bar or a club. He walked up to you, a stranger, and you said yes straight away just to try and hurt me. That makes you a slag, Ruth, you know that don't you? And you know what happens to slags. They end up slaves, beaten black and blue by these bastards day in day out every single fucking time. Look at the statistics, Ruth: two UK slags die a week at the hands of a violent partner, violent bastard; I don't agree with it, you know, but real life, it happens.

We've had our ups and downs - fair enough - but we're different, we care for each other, love each other. Nobody else loves you, Ruth. You know that. He probably thinks you're overweight, ugly, feels repulsed every time he touches your skin, but he's just using you for sex, using you like a piece of meat. Believe me, Ruth. I'm right about this. Because you know you're ugly, don't you. Know you're fat. I might not think so - I don't see you that way at all - but everybody else does. They see the truth. Fat, ugly, repulsive.

And that stranger, I've seen him, the cockiness of him, paying off the driver and heading along the path, up the steps. And you, letting this bastard into our home, our bed. Do you honestly think I'm going to let this impostor get between us this way, destroy everything we've got? No way, Ruth, never.

Don't worry. I know what I'm going to do. I've thought about it quite alot. It seems the only way - because I know how things go, these kind of people get possessive, don't want to let go. I know what type of person we're dealing with here. First possessiveness, then violence, you wait and see. It's true, men are all the same; most of them anyway. You don't know what you're getting into.

There's only one way. He's going to have an accident. Walking along the path before he gets to the steps. Prick. Cabs everywhere, frightened to walk the streets of Hackney, I'll show him. Get him right on the garden path. Instrument to the back of the head - whack, bash the fucker's brains out. Or maybe use a knife, again from behind. No, fuck that: let him see who he's dealing with - he won't be getting up again, will he. There you go: straight in the heart. Grab his phone, wallet, go. It's those youths again, those gangs, seeping out of the estates and bringing terror to the residential streets. Terrible. Man dead. Another Hackney statistic.

I'll fucking do it, Ruth. I'm not joking. I'm thinking about it right now. Relishing the fucking thought. You'll see.

Thought I by Matthew Coleman

Where is this cave I've fallen into, where does it lead?

I have not seen daylight for so long now, just the cold walls of darkness as I stagger blindly over the cuts of my making.

Because it is hard to see I can only feel, and I have felt a pain that bleeds under the blade of memory. But the blood is not as painful as the night. It never is. At night even the moon hides. I remember a time when the moon seemed so close that I could reach out and touch it, that I could pull it to my chest and weep within its wonder.

Other Side Of Glass by Juice

Tonight I saw a picture of myself smiling.
It was like coming across an old photo
of a friend that hung himself
or went off to war.
It shocked me at first.
I haven't thought of him in years.
That smile was really something
and the gap in the front teeth
was child like.
Even back then the eyes were turbulent
but veiled in pale blue laughter.
Tiny cities in a snow globe blizzard.
Shook by small hands.
And just imagine how much more they have seen since then.
Sojourner Truth said
man had nothing to do with Christ.
He came from God and a woman.
Both of which I ran off
they say they still love me but
need time to heal
from the wounds I gnashed into their flesh.
I spend many evenings watching television
shows about prison
and now it doesn't seem so Hollywood.
My cat sleeps on my chest
my heart pumping soothes her.
If only I could feel it.
I am a midget dancing
with a girl of normal height.
Someone watching over me
and matching my steps.
I was looking out the tall courthouse window
before I saw the judge this morning.
The tops of mountains were ripping through clouds
like super heroes in chains
the leaves draining to gold and shaking like organ pipes in church
reminded me everything dies
and we get used to it.
It may be a picture frame
snow globe
television screen
or window
the life you want
is always on the
other side
of glass.

Elodie, A Simple Girl With Good Legs by Amanda Joy

and there would always be
someone

to fill that space
left

when she opened
her eyes

Don't Eat. Stay Free. by Suzy Devere

Hungry so
you eat.

Then comes
that tingling
'round your neck.

Next thing
you're
wearing a collar.

Run fast, wolf.
Run away!

D-I-V-O-R-C-E by Ben Myers

(from his ongoing work "I, Axl: An American Dream")

I was crazy about this girl;
for four years it was L-O-V-E, love.

I was a 24 year old hungry nothing
she a 19 year old model-slash-angel

two lost kids with
fuck-ups for parents.

She’s the chick I wrote
Sweet Child O’Mine for.

She’s the chick I quit drugs for
the chick I washed my clothes for.

One day I’m so overwhelmed, so consumed
by passion, I propose without thinking

I say to her, if you don’t marry me Erin
I’ll blow my brains out right now.

And she’s laughing and going, ‘Oh yeah? What with?
A hair-dryer?’; and though her sarcasm makes her cuter

and I’m laughing along too, deep down she knows I’m
packing, deep down she knows I’m serious about this

so a few days later we drive to the desert and have
ourselves a good old crummy Vegas shotgun wedding

in some tacky joint called the Cupid Wedding Chapel
somewhere just off The Strip at 4am.

We spend the wedding night shooting craps,
ordering beluga from room service and fucking noisily.

It was a time, man, but even then the arguments
were already commonplace; drunk, dumb shit

with lots of screaming and hurling of household
objects – just like all regular kids in love, you know?

But this girls, she’s a ball-breaker,
always all up in my shit so’s that sometimes

I can’t breath, can’t move, can’t think
and one day she’s cleaning my CDs

and I just snap: back off bitch – leave now
before I turn your ass out to the gang-bangers.

I mean, this chick made me feel like OJ
and all’s I knew was I didn’t want to see

myself on Fox News one day heading a
dumb-ass 20mph hour live TV car chase.

We reconciled, fought, reconciled again;
a spin-cycle of love and hate. I guess sometimes

my temper got the better of me.
When that red mist descended

like a curtain after an encore
I guess maybe I lashed out on occasion

but, you know, you got to understand
I was fronting the world’s biggest rock band.

I had big deals going down, people to keep in line,
songs to write, people to hire, people to hire.

When she miscarried I knew it was over.
The children in us were still best friends

but the adults had taken over, soured the mood,
spoiled the party. Everything was corrupt.

Everything was corrupt and everything was rotten;
everything had gotten crazy. We nearly killed those

crazy spirits that brought us together
but in the end it just couldn’t work.

Eight months later I had that shit annulled.
Filed for divorce and got myself a new girl.

The Plants Dead And Yellow by Joseph Ridgwell

I collapsed onto a worn settee

And eyeballed the room

They were all dead

The potted plants

The yellowed stalks hanging crisp and tragic

I grabbed a cold beer from the fridge

And went back to the settee

All she’d been asked to do was visit

Once or twice while I was away

And water the fuckers

And as I sat

Looking at those dead plants

The thought struck me

That only a woman could be so cruel

Grief by Karl Koweski

Jerry Betustak’s wake was a who’s who
of Hammond, Indiana’s northwest side.
my engagement to Jerry’s sister, Debi
necessitated my presence the entire
four hours, my hands wedged in empty
pockets, watching Jerry’s wife weeping
over the closed casket while their
son stared off into the middle distance
thinking whatever two year olds think.

I shook hands with the influx of
Dombrowskis, Vavercans, Goreckis, all
six Trombetta brothers sporting various
shades of anger, Doug Walcszak, Vinnie
Fydoreski, my ex-girlfriend Jenny
Murphy with the crooked nose and
psychotic brothers, all of whom were in
attendance except Mikey serving federal
time for the accidental pipebombing
death of an elderly woman, even my
brother made an appearance. Gene
stayed away from the casket, cornering
Adam and Matt Betustak, whispering,
furious for five minutes before leaving.

we were all connected, either by school
or family or region. we all knew Jerry,
dead at twenty-five, a closed casket wake
because the Mexicans who beat him to death
left little facial bone structure intact.
the details of Jerry’s death were no secret
the prolonged beating in the basement
of the High Life Tap on Kennedy Avenue.
his body and the body of his buddy, Shane
found wrapped in plastic in the bed of
Jerry’s F10 pick up abandoned at Wolf Lake.
we knew the two Mercado brothers who owned
the tavern and to whom Shane owed close to
twenty thousand dollars were MIA, likely
relaxing in Mexico, living the high life.

after the wake, I drove Debi to the High
Life Tap, now closed and taped off, the
broken windows boarded with plywood.
there’s a miniature shrine erected along
the sidewalk with white crosses and
multi-colored floral arrangements.
Debi shook the spray can and sprayed
MURDERER across the red brick facade
YOU KILLED MY BROTHER on the door.

across town, Gene pulled up to Pulaski
Park in a Cutlass he hotwired earlier.
Adam with his grandfather’s revolver,
Vinnie Fydoreski with his deer rifle
and Roy Murphy with his shotgun
stepped out of the shadows into the
darkened vehicle, the interior lights
broken directly after stealing the car.
Gene aimed the Cutlass for the eastside
to kill a couple Mexicans, any Mexicans.

Heartbreak Hotels by Richard Kovitch

What it is about Hotels? It doesn't matter where they are, what star rating they have attained. They're a never ending source of
inspiration for me. Down every corridor, in every room and bar, standing at the window watching the world stretch out before you, the sun
rise and fall - all of life is here. They're sexy and mysterious, glamorous and lonely, escapist and imprisoning. The silence of the corridors,
the paranoid glances when another guest passes by, the threat of temptation. It smothers me, sucks me in.

Last night I saw a beautiful woman several floors up posing at her Hotel window, her curves silhouetted against the light of her room. She
was with someone I couldn't see, dancing for them, flirting, stripping free of her black dress. A private moment gone public. She wanted to
be watched, her window directly above the party goers still drinking by the pool below. The reveal that gives way to a twist. The person
she was dancing for was another woman. They kissed, then drew the curtains. The stuff of fantasy and heartbreak.

How many stories does each hotel room have to tell? How many strangers have passed through, lived for a little, indulged their fantasies
before returning to the rhythms of normal life? A home away from home? No. Hotels are so much more than this.

The Unspecial Ballard Of Me And Her by Ford Dagenham

am I an unfree fucker,
some tangled flower
or
torn feather
flitting over the motorway files,
only
tethered by taut twine
to the times
I tied it to?

am I the dull dust,
or the dead cells
cheap and nesting on the dancing needle,
some clot of age
that
noses all knowing
round
a demon 45
I found
on the floor
in 94?

are you a blue wind
or some
busty librarian
disguised as billowy night,
blowing in white
where my weird heart bellows black
describing
the day,
her bust,
and this night?

are you that festival dream
or some
horrible fate,
a feast
a feckless last offering
like
wolves fucking at the gate
or
ripples ripping and tearing
time back
like a blink
one epic decade late?

am I in a
Fucking Frenzy
panting
fit sweat
or painting a picture
of wet fingers
and
warm fondles
in the hazy shades
of a
february unforgot?

am I healthy
or some
hairy dog
thats matted, drooling
denying hesitant dread,
a gang
patrolling,
its deperate terminator handhold
on my
terrible hunger
on my
horrible anger,
thats gatted and degrading
in my head?

are you a lovely taste
some lady
a delicate paste
of the legend of laboured TV,
the celibate lies
laid on thick;
lust,
dry as dust
and calibrated waste?

are you thinking of me
as I am thinking of you,
tall mad
wooly bad
silly-sad
obsessed, overfed
always going gradually
to bed
to nap crap
then; lost...
slowly going all
Old Testament
alone?

To Be Continued by Khara Carlson

...tonight, i noticed --as i awaited the 44-- one of my favorite bouncers
purchase some drugs, but only like he was doing so back in the 70's. the
dealer, a nondescript thuggish sort, was squatting (quite literally) outside
cameron's books, and evoking the pretense of a homeless beggar with
outstretched gloves which fondled the air for a bit beforehand, searching
for handouts. handouts. hand out. handed out. they shook hands twice.
the first handshake an exchange of money. the second handshake? a favor.
meanwhile, down the street and around the corner the miscreants of social
obligation and the underdogs of lust are holding midnight congress at some
speakeasy, plotting the demise of the *next* malversatively labeled
essentia. clearly, my favorite bouncer is making his way towards that
show. a minute or two later, the 44 arrives to sweep me away and as i board
the bus and expose my monthly pass, i notice off to my left a woman who's
pouring herself into the seat like heroin, eyes rolled back, waving her
fluted arms around her lover, a somewhat more sober fella, and slurring a
litany of "ayyyeeee leeeeev you ssooooooo much"es. i take my seat in the
back.

Turning Yourself On by Suzy Devere

he says he always understands me
he says all the times i think no one gets me
he gets me

i don't want to argue so i say nothing
leave my tongue prostrate
stuck between these teeth
stuck in this lobster trap of a mouth

of course he understands me
everything i say aloud is
measured with a surgeon's exactitude

no detectable venom
no honey sweet
no piss flaming drink or fiesta fuck

labored words coupled with
body language wrapped in saran
arms stuck to sides like wearing
a straight jacket buttoned with my own
bones

he understands me because i never say

anything

then he says

"baby, you're really turning me on"

and i think

"you're masturbating. i'm not even here."

Cosmic Orphan by Rob Plath

i can't remember how long
it's been like this
but i woke up one day
& i felt like i was on another planet

i didn't connect with any humans
their faces transformed
they were like the insides of the walls
dark, narrow & full of sharp
incoming nails

but the sunrise was the worst
it used to bring joy
but suddenly its arms
were menacing

they placed each of my cells
in a vice-like headlock
& squeezed to the point
of suffocation

i've learned to live like this
constantly snagged by nails
& breathing like a fish
in a bucket

always waiting for night
when i no longer gasp
& i can dream
of my old home

The Party Of Fools by Mike Meraz

the cockiness
of the ages
has led to ridiculous
humility.

the knowingness
of the ages
has led to ridiculous
ignorance.

we stand in 2008
unlearned,
untaught
by our forefathers.

we are children
playing in the playground
again.

fighting for the swing set
that is no longer
there.

bickering over the
lunch box
that belongs
to someone else.

we gather in armies
and troops,
pomp and circumstance
unabashed arrogance,

the party of fools,
the party of fools.

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Black-Listed Magazine
Black-Listed Magazine is an online literary magazine. we publish on a rolling basis: weekly, daily, sometimes hourly. send submissions here: blacklistedmagazine@hotmail.com
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